Showing posts with label Beastie Boys. Show all posts
Showing posts with label Beastie Boys. Show all posts

Thursday, 25 February 2016

Songs About Actors

Songs about actors, who could have imagined it would produce such a rich vein? And none of includes songs about ex-actor Ronald Reagan since they tend to address his post-actor career in the White House. Sadly no songs either by the wonderfully named band JFA, as in "Jodie Foster's Army". Still, no shortage of ditties devoted to thesps.


1) Julian Cope - "Robert Mitchum"
Only Julian Cope could pull off something so twee as this. Imagine it as the soundtrack to "Night Of The Hunter"? Nope, me neither.




2) Kim Carnes - "Betty Davis' Eyes"
Not to be confused with The Adverts' "Gary Gilmore's Eyes", or Half Man Hal;f Biscuit's spoof on this "Dickie Davis' Eyes". Which is a pity as I prefer both of those infinitely to this pop pap, even if in the video people beat out a rhythm on the floor with their hands. Too much of that and they'll have Betty Davis' hands.



3) Lee Perry & The Upsetters - "Clint Eastwood Rides Again"
But Marc I hear you cry, this is basically an instrumental, so what has it got to do with Clint? Other than the ridin' along on ma horse rhythm and the increasing insinuation of gun shots you mean? Reggae artists love cowboys and spaghetti Westerns, honouring them in many a song and even artists taken the names of cowboys, such as well Clint Eastwood and Dillinger (all right he was more 20s bankrobber than cowboy). My chart, my rules.



4) Angel Corpus Christi - "John Cassavetes"
Try tracking this obscure album down... Amazed it's on YouTube to be honest. John Cassavetes, actor and film director. His work was talked about in hushed tones with great reverance, I saw one called I think "Husbands". It was fairly turgid. I wonder if he's still so highly regarded now that he's been dead for so long? The movie world can be as unforgiving as the music biz if you don't put out new product. Anyone remember Alex Cox these days? Thought not.



5) Bauhaus - "Bela Lugosi's Dead"
True story this. After my university finals but before we graduated we had a lot of time to kill. So we decided to play a gig outside the halls of residence. Plugged into the basement and off we went. Only the bassist could actually play, I was hitting a beer barrel with a sledgehammer for percussion (I was heavily influenced by Test Department at the time). And the song the bassist could really play well was this. The singer knew the lyrics. He was very active in the Animal liberation movement, hardly what one associates with the Goth revival as typified by this song. Funny world.



6) Billy Bragg - "Ingrid Bergman"
In which Billy punctuates his stand up repartee with a song 6 minutes into this video. Sorry about that.



7) Beastie Boys - "Lee Majors Come Again"
Let's crank it up with some noise. Lee Majors played the 6 Million Dollar Man on TV. As an actor you might not have given him more than 6 dollars. I think the Beasties may have drawn similar conclusions as the connection to lee Majors is tangential at best.



8) Nirvana - "Frances Farmer Will Have Her Revenge On Seattle"
KK was obviously much taken with Ms Farmer since he named his only daughter after her. I was never a great Nirvana fan, actually preferring the work of his Mrs, Courtney Love's "Hole". You want to make sure you put the speech marks round that or it takes on a whole different meaning. This song is even more dirgey than the usual Nirvana output. The name "Nirvana" was ironic right?



9) The Clash - "The Right Profile"
The Clash were always dropping references to real people in their songs. This checks the name of Montgomery Clift, actor in the classic "From Here To Eternity". Another actor who suffered a serious car crash, although he managed to eke out a tad more of his career after that. Now we've covered that, I don't have to post The Eagles' song "James Dean". What? If this was a chart for songs about actors involved in car crashes, then maybe...



10) MDC - "John Wayne Was A Nazi"
I don't feel I have to add anything to the song itself.



11) Natalie Merchant - "Lulu"
Okay let's take it down a notch or two. Merchant's paean to silent actress Louise Brooks, she of the famous hair do. What I called in one of my novels, the 'Roman helmet' cut.



12) Banarama - "Robert De Niro's Waiting"
God I hated this song when it came out. Still do. See, this is how generous I am posting songs I can't stand.



13) Madness - "Michael Caine"
This song was rubbish too. I'm beginning to think actors make lousy subjects for pop songs.



14) Sonic Youth - "Madonna, Sean And Me"
Bit of a cheat this one because everyone knows the song as "Expressway To Yr Skull", but for some reason when the album was released, this was the name they gave the track. Still, this revives my faith in the concept of the actor themed song, cos it is epic! Was lucky enough to hear them play it live a couple of times, walk off the stage at the end of their set and the guitar feedback was still squealing through the amps for a good few minutes later.



15) Serge Gainsbourg - "The Initials BB"
A song about his sometime collaborator on songs Bridget Bardo". Unless you speak french, you'll just have to take my word for it. I think Bardo has gone on to become the ultimate cat lady in her dotage.



16) Roxy Music - "2HB"
No, not a song devoted to the middle of the road in pencils, but extolling Humphrey Bogart. Bryan ferry sounds even more drawly than normal in this.



Just In From our NRA correspondent"
17) Stump - "Charlton Heston (Put His Vest On)"
God knows which bit of my deep-lying memory I dragged this one from, but a day after compiling the chart, this came to me.

Saturday, 31 May 2014

Criminal songs - 10 songs about crime

I've published a music chart of Murder Songs but here's one of other crimes.


1) Genesis - Robbery, Assault And Battery"
You'd probably never believe it given my music collection as it currently stands, dominated by New Wave, Hip-Hop, Reggae & Art Noise, but Genesis were one of the first bands I ever got into. Peter Gabriel Genesis rather than Phil Collins Genesis of course. But still, I find them impossible to listen to now. Weren't videos made in the 1970s really rubbish?



2) The Prodigy - "Firestarter"
The album this comes from "The Fat Of The Land" is almost excellent, but as with this track I just feel each song on it threatens a lot sonically and musically but somehow always manages to truncate it without nailing it. Maybe that's why Liam sacked the rest of the band.




3) New Order - "Thieves Like Us"
Um I loved this period New Order (that yielded the album "Power, Corruption and Lies". Not my normal type of music, but I guess there was a sentimental attachment from the Joy division days. I wonder if they lost any fans who felt the synth-heavy sound meant that they had sold out the Joy Division legacy? I certainly felt similar when one of my favourite noise bands The Swans went all quite singer-songwritery and recently when my favourite contemporary band Liars produced a second successive album that ditched their art-noise roots for plinky-computer game soundtrack music.




4) Renegade Soundwave - "Probably A Robbery"
I can't remember anything else about this band. One-hit wonders? Probably.




5) The Jam - "Thick As Thieves"
Supposedly a concept album because 3 of the songs were linked, of which this was one. But ignoring that, Paul Weller's gift for longing back to a childhood of being able to belong to something never bettered than in this song.




6) The Clash - "Bankrobber"
 I never pass up any excuse to play this song really! I always thought it was just another one of their reggae covers before I discovered that no, they'd penned it themselves. Very hard to do white reggae well, but this is definitely at the top of the white reggae charts.




7) Ministry - "The Land Of Rape & Honey"
This band are from Texas. They don't fit in very well down there...




8) MC 900Ft Jesus - "The City Sleeps"
Criminally (get it?) under-appreciated artist, really sorry they stopped after a couple of killer albums. This is waaay more menacing than anything the cartoon gangster rappers might pontificate upon.




9) Pulp - "Joyriders"
Never really a Pulp fan, a mix of professional Northerner with auto-didact intellectual, just didn't strike a chord with me. Sort of Morrisey without the racial prejudice.



10) Swans - "Blackmail"
This period Swans when female vocalist Jarboe joined the band saw their enormous power sound teeter on the point of fracturing as her voice cut against it. It was brilliant these two divergent muscularities.



11) Beastie Boys - "Car Thief"
Well you know I love all things Beastie Boys. I chose this song because of the title, but let's face it, the video for their song "Sabotage" which spoofs Starsky & Hutch's opening credits is one of the best music videos every made, so I'm linking to that! Makes me a bit of a cheat, but not a criminal!



12) 50 Cent - "P.I.M.P"
The Caribbean steel band vibe of this is genius, no matter how desultory the song would be without it. #guiltypleasure



13) Gary Clail - "Two Thieves And A Liar"
Another artist like The Prodigy who has the germ of brilliant songs but never quite manages to see them through (I find this also with Adrian Sherwood's Tackhead from which Clail spawned). But this song delivers all the way through.




14) Slits - "Shoplifting"
Another band who teetered on the brink of great tunesmithery but always managed to pull back. All the elements are there, but somehow the song sounds slightly weedy, which for dub is a bit odd. I did like their track "New Town" though.



15) Ice-T - "Grand Larceny"
The granddaddy of blustering gangster rap and where is he now? Oh yeah in a police drama series on TV. Oh the irony.






Thursday, 9 January 2014

Hyperbolic Songs

The Supremes, Super Furry Animals, ZZ Top, The Fab Four...

So it's a new year and there haven't been enough days yet for my usual pessimism to reassert itself over the fresh slate newness of the year. Everything's hunky dory super right? At least for another 5 minutes. So in honour of that, here's a music chart on all things exaggeratedly upbeat and optimistic.

1) Holy F*ck - Super Inuit
Even the band's name expresses a level of incredulity, but this jaunty little number fairly sweeps along. I wonder what the destination in mind was however...



2) The Fall - Fantastic Life
You just know acerbic curmudgeon Mark E Smith is laughing the other side of his face when he pens any song with "Fantastic" in the title. I once saw this live and the organ break just went on forever. It was erm fantastic...



3) Jimmy Cliff - Wonderful World, Beautiful People
Is this not the man who sung the gritty "The Harder They Come"? Whatever was he thinking? Maybe he was thinking of the royalties...



4) Mos Def - Life In Marvelous Times
Wonderful building tension in this as you think def's gonna hit you with the chorus, but just cranks the lyrical torque up some more. You can hear the disbelief in his voice when he does pronounce the title.



5) Gang of Four - Not Great Men
Post-punk feminism, as played by 4 geezers. While one welcomes the handclap on the rock record, the disturning sight of Jon King's Arsenal shirt counters any kudos going their way.



6) Public Enemy - Don't Believe The Hype
I won't if you wont... Have you noticed how this chart has veered into pessimism? From the band who's debut album claimed "Mi Uzi Weighs a Ton"



7) Jon Spencer Blues Experience - Blowing My Mind
From the man whose first band was called Pussy Galore... Everything about Swampblues is hyperbolic really. Nowt wrong with that mind.



8) The Specials - Too Much Too Young
Classic SKA, what a band. No hyperbole involved when describing them.



9) House Of Pain - Top O The Morning
Their follow up to "Jump Around". Not that good really. Plastic Paddies I'm afraid.




10) Beastie Boys - Finger Licking Good
Yes, probably that type of smutty innuendo rather than Kentucky Fried Chicken




11) Schooly D - Mr Big Dick
Um, er... Tongue firmly in his cheek... no not that cheek, get your mind out of the gutter





Bonus Track:
Lou Reed - Perfect Day
Lou Reed RIP


Tuesday, 28 May 2013

24 Hour Party people - 10 'party' songs

I know it's Tuesday and that friday & the weekend looks a long way off, but here's something to look forward to: 10 songs around the themes of partying.

1) Beastie Boys - "Fight For Your Right To Party"
The granddaddy of all party songs, or perhaps the snotty grandson might be more appropriate. Crass, crude and a killer guitar riff sample, this one should get them flocking on to the dancefloor, fists pumping the air. The video even has custard pies to underline its schoolboy level. There's a wonderfully fey version of this by Scottish indie band BMX Bandits and a typically mournful & lugubrious version by Coldplay on the occasion of Beastie Boy MCA's death from cancer last year.


2) Velvet Underground - "All Tomorrow's Parties"
From the ridiculous to the sublime... Art noise Velvets with the uninflected emotionless vocal of Nico, is anything but inviting. I used to get stuck in a corner at parties with dead-eyed men or women like Nico trying to extol the virtues of whichever god they followed. I don't go to parties anymore...


3) Bob Marley And The Wailers - "Punky Reggae Party"
Bob Marley recognises the kinship between the 1977 punks and reggae, as punks like Johnny Rotten and Joe Strummer acknowledged their love of reggae and DJ Donovan Letts spun reggae tunes before the bands at London punk venue The Vortex Club. He was a bit late on the bandwagon, as reggae band Culture had already released "When Two Sevens Clash" (two sevens as in 1977), which is a far better song that this pretty lame effort. Can't see the punks pronouncing it as 'par-tay'


4) Minutemen - "Maybe Partying Will Help"
Punk-funksters Minutemen slice up another slice of jerky rhythms to set the hips in motion. God I loved this band and was one of my regrets that I never got to see them play live before lead singer/guitarist D.Boon died in a road accident.


5) Black Flag - "TV Party"
Black Flag with Henry Rollins at the helm were always regarded as this intense hardcore punk band, but they had a sense of humour too, as this witty ditty suggests. Sort of Frat Boy level like the Beasties, but done with a little less leaden satire I feel. When I was growing up, America seemed to have a slightly different take on partying to us in the UK. There it was sex, cocaine and weak beer. In the UK it was sexual repression, heaps of booze and maybe a spliff or two. Times have changed and we've caught up.


6) Nelly - "Party People"
I don't have this song in my collection, but YouTube didn't have the Parliament song of the same name so you're stuck with this piece of audio and visual dreck. How hard can he be, he's got a girl's name for flipssakes! Parliament's song is much better believe me...


7) Beat Happening - "Pyjama Party In a Haunted Hive"
I'm really surprised this is on YouTube so low-fi underground were this band, but delighted all the same. Very off the wall and with those deep, deep vocals, bliss!


8) Lesley Gore - "It's My Party (And I'll Cry If I want To)"
You just knew this was going to appear right? Well it was either this or that godawful Whigfield song. Pop music just wasn't made to party... You need something a tad stronger with all those emotions flashing around!


9) Cool Kids - "Basement Party"
Restoring the cool quotient a tad, Cool Kids are a contemporary hip hop that only do old school stuff. And more power to their oscillating elbows I say


10) Happy Mondays ' "24 Hour Party People"
For the ultimate hedonistic dance band, this sentiment summing up everything about them is actually pretty terrible. But what's interesting to me about it is how trained and all played out Sean Ryder's singing is on this track. Like it's all caught up with him and left him on the precipice. We all have to come down eventually.



Bonus Track
Tupac Shakur - "California Love"
Doesn't have 'party' in the title, but the lyric says it all, "California knows how to party"



Monday, 22 April 2013

Animal Songs

Animals, don't you just love them? Pop stars certainly seem to, "The Birdie Song", "Hungry Like The Wolf", "The Lion Sleeps Tonight", "Eye Of The Tiger", even "Ant Music" made it to the top of the charts. Then there are those throwaway songs such as The Who allowing bassist John Entwhistle to pen a song and he came up with the fairly execrable "Boris The Spider", or The Pogues doing their Tom Waits spoof "Worms" and tucking it away as the last track on the album. Pink Floyd did a whole concept album called "Animals" which in my opinion remains their best album despite the praise heaped on "Dark Side of The Moon" and "Wish You Were Here". But being a concept album, the tracks are too long to upload to the blog for your listening pleasure.

So here are ten animal songs for your delectation and petting.

1) Patti Smith - "Horses"
The queen of New York New Wave that brought a poetic and experimental sensibility to early US punk, here has an urgently driving and rumbling song that still holds up today in its power. The lyric "The boy looked at Johnny" was incidently the title of a short book on UK punk rock penned by teenage Julie Burchill and Tony Parsons in 1977 (their Johnny being Johnny Rotten). And to think what those two have become now... Punk rock RIP



2) Iggy And The Stooges - "I Wanna Be Your Dog"
And still on the subject of 'where did it all go awry?', that sallow faced man who sells you insurance on the TV used to be a bit of an all-out punk rocker who usually ended up bloodied on stage from the intensity of his performance. I used to know a music journalist who lived with Iggy in London.



3) The Cure - "Love Cats"
I have a love-hate relationship with this song. The love is that in my misguided belief that I would be a bassist in a band, when I bought my instrument and tried to teach myself, the bassline intro to this song was one of the few I managed to master. The con, was that this song seemed to signal the demise of The Cure as a cool low-fi post-punk/pop band and enter the world of Goth with bad make up and bombastic music arrangements. Robert Smith in his retreat from fame and adulation had sacrificed Camus' "L'Etranger" of the band's debut album and instead regressed into a child's world as represented by "Charlotte Sometimes" for his influence. "Love Cats" was of course a huge hit for the band.



4) The Birthday Party - "Release The Bats"
If you're going to do Goth properly, obviously you require bats, but you also need a bit of oomph in the music. And though they were never really a Goth band, Nick Cave's Birthday Party had twin drummers in their early incarnation and that gave this song oomph a plenty. "Sex vampire, horror bat bite": Quite.



5) The Beastie Boys - "Brass Monkey"
Hey it was this or "Funky Donkey". I think you all get off lightly! One of their more Frat Boy songs, even though I don't beleive they ever were...



6) Jefferson Airplane - "White Rabbit"
Far out man!



7) Genesis - "The Lamb Lies Down On Broadway"
Double concept albums, twelve string guitars, costumes on stage, ah they don't make 'em like this any more. Phil Collins used to be in genesis you know!



8) The Cramps - "Human Fly"
The signature tune of the Cramps that announced their arrival as the swamp punk rock band supreme. Swaggeringly good. This music was grungy before anyone had heard of Kurt Cobain. The stage clothes however were not. Lux Interior RIP.



9) Jah Woosh - "Woodpecka Sound"
Dub heavy, reggae has lots of songs involving animals, not least the Lion of Judah.



10) Pixies - Monkey Gone To Heaven"
No idea what the song means but I do love it!





Saturday, 20 October 2012

10 Songs About Time

My new novel "Time After Time" already has its own playlist of songs that soundtrack the action. But here is a chart of songs directly about time for your delectation:

1) Pink Floyd - "Time"
Possibly the most famous song about time, from the meg-selling "Dark Side Of The Moon" album. Pink Floyd were the first ban i properly got into in the sense of wanting to chase down every single recording they had ever made. That sort of collector-worship boys are eminently susceptible to. However, once punk rock came along, the tempo of Floyd's music was just to slow for my ears craving souped up rhythms. So this was time undermined by too slow a passage of time in the end...



2) The Doors - "Love Me Two Times"
The Doors were one of the few 60s band I can listen to.  I don't particularly buy into the Jim Morrison mythic status thing, and in this video it's a tad irritating that you have to wait until he stops burbling about a minute and a half in before the song starts, but it's a good'un when it does arrive.



3) MGMT - "Time To Pretend"
It's perhaps ironic that the vocal and music of this song actually do suggest the 1960s in a song full of yearning and hearking back to a more innocent age.  When this song came out in the Noughties, it was heard absolutely everywhere. But with good reason I feel.



4) Beastie Boys - "Time For Livin'"
It's not quite the momentous act of Bob Dylan plugging his guitar into an amp, but when the Beastie Boys didn't rely on samples quite as much and picked up their own instruments and returned to their punk roots, it gave all their subsequent albums a huge diversity of punk, hip-hop, rap and reggae. And I loved them for that.



5) Depeche Mode - "Question Of Time"
I was never a big fan of Depeche Mode, but the music in my novel covers virtually every style, so continuing that here in my "Time" chart, I give this a platform and let you dear reader/listener decide.



6) MosDef - "Life In Marvellous Times"
This is just such a superior song, that builds and builds and has unbelievable tension that never quite peaks. Masterful.



7) Cyndi Lauper - "Time After Time"
I've never been a fan of chart pop tunes, but while I was writing the novel and I'm not sure how, but this song presented itself to me. Of course I recognised it from the dim and distant past, because that's how ubiquitous chart songs are, you just can't avoid hearing them and how insidiously they permeate our brains. But as it goes, this song not only fitted my novel, but the fit was so perfect that it went on to become its title. And I seem to remember we always accredited Cindi Lauper some credit for being slightly subversive in her attack on pop music. maybe we were fooling ourselves. A bit light for my tastes, but I can see it's a well crafted song.



8) Funkadelic - "Everybody's Going To Make It This Time"
I do love my funk and George Clinton's cosmic madness. Yet this is a rather wistful political song about past failures and a hope that this time round there will be no casualties in the various fights for rights and freedoms.



9) Portishead - "Sour Times"
I suppose songs about time that either look back or look ahead, are prone to being melancholic, chockfull of regret or despairing hope. And this is one of those as Beth Gibbons puts a whole lifetime of emotion into her singing, while the arrangement rattles along reedily as if to suggest time's flimsiness itself. There's a different Portishead song referred to in the novel.



10) Misty In Roots - "How Long Jah"
Roots reggae's gorgeous, simple appeal to how long must they wait for the Messiah? An eternity it seems. An eternity of pain and suffering...


Saturday, 30 June 2012

Ace Of Bass - 20 top bass driven tunes

     It's always the lead guitarists who get all the muso-glory. Drummer get the jokes made about them, singers do the interviews and bassists? Well bassists are like the invisible man of the band. Here's a list of 20 songs to partly redress the balance. They may not all be bass licks by musical virtuosos, but the song wouldn't be the same with a lesser bassline.

1) Buzzcocks - "Whatever Happened To?"
How's this for a bass intro? The instrument really came into its own with punk, since the limited musical abilities of the early punkers meant that the primitive sounds just merged into a noisy squall. But solo bass intros allowed some separation out at the beginning of the song and there were many punk bassists who suddenly stepped more into the limelight than in previous musical eras.



2) The Stranglers - "Nice'N'Sleazy"
This was the band who maybe made me really fall in love with the instrument. Jean-Jacques Burnel's bass was just so dirty sounding, as befit their lyrics. Yeah there were persistent rumours that he couldn't actually play and the keyboardist Dave Greenfield was actually playing the riffs, but Burnel was a classically trained musician so I don't buy it. The lowest of low-end bass!

                                       

3) Wire - "Like a Heartbeat"
Wire were always more arty purveyors of punk rock, musically stripped down. the bass pulse as a heartbeat, what could be simpler than that? Stunningly effective. Suddenly it was the upfront bass sound that people could dance to, just like in reggae. 

                                      

4) Talking Heads - "Psychokiller"
Meanwhile, over in New York where New Wave preceded punk unlike in Britain, there were some accomplished musicians showing a punk attitude but with musical virtuosity to boot. If I wanted to look like JJ Burnel, I wanted Tina Weymouth to be my girlfriend. Quite simply a psychokiller of a bass intro.

                                    

5) Pere Ubu - "Heart Of Darkness"
And just to emphasise New York's primacy of the accomplished New Wave sond, comes Pere Ubu and another paranoia-suffused bass intro. Both these tracks have the bass as the more primary instrument and don't they sound all the better for it? New York in the early 80s must have been one messed up city.
                                    

6) Public Image Ltd - "Poptones"
The brief flare that was punk rock was quickly replaced by New Wave in Britain with similar values to those in the US. Arch musical experimentalists PIL had the musical genius that is Jah Wobble on bass, heavily influenced as his name suggests by bass-heavy dub reggae. A bass sound that is both dense and fragile at the same time. Outstanding.     
    
       


7) The Ruts - "Love In Vein"
Part of punk and New Wave was a formal link up and experimentation with reggae and reggae musicians. Ruts were out and out punk but had very close local ties to roots reggae band Misty and the two shared many bills on the Rock Against Racism tour. Here the crossover is clear in one of the most achingly sad and beautiful songs by a punk band.

8) The Jam - "Funeral Pyre"
By now punk had gone all mainstream and bands like the Jam were having regular singles in the Top 10 of the charts. This song is unusually heavy and free-form for what was a tight threesome and everyone normally remembers the drum solo closing out the song, but actually bassist Bruce Foxton was also allowed off his tight leash to twiddle and thump away. Powerpop.
9) The Cure - "A Forest"
The Cure were never punk. A bit low-fi pop on their debut album and soon to move into stadium Goth. But in between was their second melancholy album and this track showing a bass also driving a song, but without the bluster and pose of songs with harder edge. The sound of a higher end bass. Who'd be a bassists though? The Cure's Laurence Tolhurst went to Court to sue over lack of royalties saying he contributed ineffably to the Cure sound. He lost.

10) Dead Kennedys - "We Got a Bigger Problem Now"
Hopping back over the pond and New Wave had taken the reverse journey and morphed into punk, thrash and hardcore. Progenitors of that were San Fransisco's Dead Kennedys with Klaus Flouride on bass. Here he has a little lounge music lick to satirise the right wing's music of choice. This song was a reworking of their earlier hit "California Uber Alles" written about the right-wing Governor Jerry Brown. But with californian Ronald reagan ascending to the Whitehouse, the US did as they say, have a bigger problem than that now... The West coast can do its own rather nice line in paranoia too.

11) Minutemen - "Anchor"
But US punk wasn't all thrash. The Minutemen were a trio whose musical abilities allowed them to include folk and jazz elements to their tightly blended mix. Guitar and bass alternated duties as leading songs and the band introduced Mike Watt, bass guitarist supreme upon the world.

12) World Domination Enterprises - "Asbestos Lead Asbestos"
If lead guitars can carry you along highways or out into space, the bass nearly always roots you back into the urban city. Here World Dom with their dub reggae penchant utterly nail the grime of their West London roots. Guitars are wielded like axes or played over the heart and chest, or even teasing over their sex, but bass guitars are always low-slung, closer to the ground. And of course they have a longer fretboard, to keep other people further at arms length...

                                         

13) Gang Of Four - "To Hell With Poverty"
The funk is introduced to New Wave. George Clinton and other funk bands were perhaps the only other precursors of punk who might bring the bass into the foreground. Since Gang Of Four's guitar sound was so choppy and intermittent, they needed a bass sound to carry the weight of some songs and fill in the gaps.

14) Beastie Boys - "Gratitude"
Hip hop could sample any sound it wanted. Yet when the Beastie Boys went back to their live instruments and punky roots, they brought delicious distortion to their bass sound. Ramp it up! RIP Adam MCA Yauch.

15) Birthday Party - "Mutiny In Heaven"
Punk, New Wave, Goth, what did any of it mean anymore by the mid-80s? There was a flowering of indie bands each pursuing their own underground tracks. The Birthday Party from Australia were one such blossoming that couldn't really be pigeonholed. But bassist Tracy Pew with his cowboy hat and biker fashion, sadly now dead from his grand mal seizures, was always driving the band forward with their off beat drum section, sometimes one drummer, sometimes two which he had to compete with as well as compliment. A bass rumble truly to soundtrack the rhythms of Hell!

16) Gun Club - "Sexbeat"
Psychobilly (UK) or swamp blues (US) was creative another offshoot and here the bass truly lends a quality of swampy sludge even as it drives the blues throb along in its train-driving manner.

17) Jesus And Mary Chain - "Sidewalking"
Meanwhile from Scotland, a band who wanted to be the surfer punks, the Beach Boys with a lot of reverb on top. I kind of liked their schtick, but the bass was always prominent among the feedback squall of the lead. It had to be, to keep it all together.

18) Cop Shoot Cop - "Shine On Elisabeth"
Two basses no guitars, this is a no brainer. 1 hi-end bass, one low-end bass, a heavnely heavy duty throbbing racket. This is my bass nirvana I think (the Buddhist ideal highest state of non-being, not Kurt Cobain's outfit).

19) Thee Johns - "White Boy Engineer"
There was a fashion for rock bands having drum machines instead of live drummers which definitely changed the vibe. Drum machines always sounded a bit tinny and brittle, so the bassist had to inject the weight into the musical grooves to compensate.

20) White Denim - "Let's Talk About It"
And so to the present day. I don't much about this band but we seem to be still where we were with permission for the bass sometimes to grab the glory in a song. Even with a geeky looking guy on bass like this one! Thanks for listening

Wednesday, 25 April 2012

My Top 25 Albums Part 2

So part 2 of my top albums chart, counting down from 12 to number 1. You can read part 1 here.

12) Public Image Limited - "Metal Box" - 1979
When Johnny Rotten left the Sex Pistols, he joined up with musical virtuoso Jah Wobble and multi-instrumentalist Keith Levene who was a post-punk experimentalist before anyone else even knew what that meant. After a first commercial album, they produced this glorious dubby-punky album which ideally suited Rotten (now John Lydon's) snarling delivery. The original release came in a silver movie-reel canister, but the packaging warped the vinyl inside and made it unplayable. The album was re-released in a normal sleeve and called "Second Edition", either way it was a record they never bettered as their sound became more commercial and Levene left in protest.





11) The Birthday Party - "Junkyard" 1982
A thunderous rhythm section with two drummers, Roland S Howard's guitar noodlings suddenly lurching into squalling feedback and Nick Cave's literary pretensions and on-stage showmanship meant that The Birthday Party were the kings of alternative once the post-punk movement had largely fizzled out by 1980. One of the drummers left shortly after this album and the band were never quite the same again.


10) Minutemen - "Double Nickels On The Dime" 1984
A double album of 45 songs, virtually all at under 2 minutes duration, as this tight three-piece knitted together punk, jazz and West Coast Head music into a wonderful mosaic of an album. I don't really like the word "vibe", but it absolutely fits this album, as their sound manages to feel both sparse and lush at the same time. 

9) Butthole Surfers - "Rembrandt Pussyhorse" 1986
Acid punkers with a serious Black Sabbath addiction, this album is just crazy wonderful. There's not much more to say about it, other than they were wonderful live.


8) 23 Skidoo - "Seven Songs" 1982

Industrial funk, now there's a music style to grapple with. This is one of those albums that has two stand-out tracks which soar above the rest, although the track that samples Oswald Moseley's widow is quite disturbing. The album actually has 8 songs in that post-modern ironic way.




7) Nas - "Hip Hop Is Dead" 2006
I tend to like my hip-hop intelligent, if not necessarily political, but this album was inflammatory with its call to arms to save the genre from just being commercial product. The title track is so strong, but I also love the track below, part encomium for the history of hip hop, part excoriation for what it's become, a tension that runs throughout the album.


6) The Cure - "Three Imaginary Boys" - 1979
This album was lo-fi indie rock before anyone invented the term and before The Cure went all bloated Stadium Goth. Robert Smith's voice has a plaint in it throughout which lends itself perfectly to pop songs, while the raw production of the instruments admirably cuts across the winsome vocals. Plus the album cover is my favourite of all time. 



5) Beastie Boys - "Check Your Head" 1992
The Beastie Boys had changed their image and reputation as dumb party animal rappers with the release of "Paul's Boutique" three years earlier, but this was the album that set the tone and format of their career, of playing live instruments and its glorious melange of thrash punk, reggae, old school hip hop, and jazz.



4) Liars - "Drums Not Dead" 2006
The 1990s was a bleak time musically for me. Many of the bands in this chart had split up, or had members die and I'd pretty much stopped buying music and given up going to gigs. But this band more than ever reignited my passion for music in the Noughties with their art-noise albums, where they less construct songs and more compose sound scapes, with voice as just another instrument. Any of their albums could have made it into this chart, but I'm limiting myself to one per band and this just scraped in ahead of the others, ostensibly because of its coherent concept in sound throughout, though don't ask me what the concept of this album actually is!


3) Einsturzende Neubauten - "Halber Mensch" 1985
And talking of art noise, there's no one who quite sound like Neubauten. Industrial, but without the rhythmic discipline of some notional dignity of labour straitjacketing them. German, or more precisely Berliners, when that city was divided against itself, and yet they weren't averse to digging back into their own country's folklore and even somehow defined a German 'Blues'. Bargeld's lyrics bounced from the cosmological scale to the microscopic viral one, positioning mankind very firmly in its insignificant place. This album is the sumptuous sound of decay and decline.


2) Misty In Roots - "Live At The Counter Eurovision" 1979
Quite simply the best reggae album ever made. And despite being live, the sound quality is fantastic.
My only chagrin is that the CD is hard to come by at a reasonable price and someone nicked my original vinyl.



1) Joy Division - "Closer" - 1980
Just the perfect- if depressing- album without a single duff track on it (which is why I chose it over their "Unknown Pleasures" album which is more insistent musically, but has one weak track on it). There's not much more to say about this album that I haven't said on other posts and scores of devotees have also committed to words. Like I say, a perfect 10 and that second side of the album just sends shivers down my spine even after 32 years of listening to it.


Friday, 11 February 2011

Drinking Songs

Rock Music has always been soaked in stale beer and cider as groups start off their gigging in dive bars and pubs. Here is a list of ten songs and artists who celebrate the hop and a drop of the harder stuff.

1) "Waxie's Dargle" - The Pogues
The obvious place to start a drinking chart lies with the Pogues. "Waxie's Dargle" is the ultimate song about getting served yet more drinks. Like a junky scoping his next fix.


2) "Whiskey In The Jar" - Thin Lizzy
For Gary Moore RIP

3) "Milk And Alcohol" - Dr Feelgood

4) "Gin 'N' Juice" - Snoop Dogg

5) "Brass Monkey" - Beastie Boys
Rum, vodka & orange juice mixed over ice (apparently)

6) "Alcohol" - The Kinks

7) "Alabama Song" - The Doors
Have you noticed how most of these songs one way and another are cover versions? Probably too pi**ed to come up with new material.

8) "Jesus And Tequila" - The Minutemen
By one of my favourite bands and yes another dead pop star, but D.Boon died in a car accident, not alcohol related...

9) "Pass The Courvoisier" - Busta Rhymes and Friends
There was a trend in rap to measure success as much by name checking spirit brands as the weight of bling. If I get famous as an author & go on telly, I'm going to name check smoothie brands to get me free crates sent.

10) "Hangover" - Serious Drinking

11) (one for the road) "Streams Of Whiskey" - The Pogues
We end where we began, with The Pogues, a paean to whiskey, but strangely enough not a cover version.