Showing posts with label Jefferson Airplane. Show all posts
Showing posts with label Jefferson Airplane. Show all posts

Tuesday, 29 March 2016

Songs About Books

A few years ago I was involved in an anthology of stories inspired by songs 


I wrote the introduction and reproduce it here:

The Symbiosis Of Music And Literature
I never read books until I was fourteen years old. Typical boy, I was out in all weathers playing cricket or football instead. What tuned me into literature was a respected older cousin’s suggestion to listen to The Cure's ‘Killing An Arab’ and then read Camus' L'Étranger, both of which I dutifully did. At the time I was on the look out for cool bands to drop in to conversations at school, but thanks to this one suggestion I had my appreciation opened up to a second vibrant art form. Oh yeah, I not only read books now, I write 'em as well. And as part of that, music is still key.
Literature is perhaps regarded as the highest, noblest art form for  opening our minds towards contemplation of the world around us. And rock'n'roll, bubble-gum three-minute-pop about puppy love and teenage crushes, is regarded in some quarters as the most disposable of art forms. Books occasionally percolate society's collective consciousness, for example the obscenity trials over Lady Chatterley's Lover or Last Exit To Brooklyn. Pop frequently outrages, from Elvis The Pelvis, through ‘God Save The Queen’ to Beastie Boys. Yet, despite being from fairly opposite ends of art's 'brow' spectrum, the two are fundamentally intertwined and mutually inform one another. 
Apart from the above example of The Cure, Gang of Four referenced Joseph Conrad's ‘Heart Of Darkness’ with ‘We Live As We Dream Alone’ and Kafka's beetle from ‘Metamorphosis’ in their song ‘Anthrax’. Howard Devoto, singer in Magazine, referenced Raskolnikov and  Dostoevsky's ‘Underground Man’ in ‘Song From Under The Floorboards’.  Just a few examples of artists honouring fellow artists who have gone before them. Inspired them. Given them words and ideas to stir their own creative pools...
Of course, it goes the other way too. Poets Linton Kwesi Johnson, Benjamin Zephaniah and John Cooper-Clarke have all performed live with backing bands. Gus Van Sant has set texts by William S Burroughs to music, and Steve Fisk composed music for the late Steven Jesse Bernstein's poetry. Then there are the crossover artists: Patti Smith, Nick Cave and Henry Rollins to name but three with a foot firmly planted in both camps. Plus recently we have had short story anthologies inspired by the words of Mark E. Smith and the music of Sonic Youth. 
So now nine new writers offer their contributions to the symbiosis; nine stories inspired by songs from different musical artists, plus nine stories arising from the same song: "Heroes"’ by David Bowie. Nine very different interpretations, no mere cover versions.


So, here is a music video playlist for books name-checked or referenced in songs. Enjoy.


1) The Cure - "Killing An Arab"


This was the Cure's debut song as Robert Smith took his exam-level study of Camus' "L'Etranger" and spun a song out of it. Later, once tried to retreat from fame into his half-Goth, half-childlike persona, the books he referenced were more of the order of children's books such as "Charlotte Sometimes".



2) Kate Bush - "Wuthering Heights"
I was never a huge Kate Bush fan, but I was heartened when her recent comeback tour sold out so rapidly. Normally I am appalled by comeback tours when artists are way past their prime and the audiences just want to indulge in some nostalgia, but this tour seemed genuinely to have an audience spanning across generations suggesting Ms Bush had picked up legions of fans who have come to her music long after it was in the charts and public sensibility and that must speak for its strength.



                         


3) Velvet underground - "Venus In Furs"
With Lou Reed's interest in all things transgressive and sexual, perhaps not surprising that he should find as an inspiration Leopold Von Sacher-Masoch's book that gave us the word 'masochism'. Never has John Cale's viola sound been used to such unsettling effect as on this song.




4) Klaxons - "Gravity's Rainbow"
The blissed out hedonism of rave is not usually associated with the literary, as its fans stand waving glow sticks around in muddy fields, bombed out of their heads. And yet here Klaxons reference  a writer who guards his true identity more than JD Salinger guarded his privacy. But then Pynchon writes about a pretty bombed out American sensibility so maybe it makes perfect sense.




5) Rush - "Tom Sawyer"
Rush were big fans of Ayn Rand, but I'm not going to peddle of her work here. They also quoted Mark Twain's "Tom Sawyer" which is far more edifying, though with Rush you never quite know. I don't know, like most things Rush, they manage to make this all sound somewhat bombastic.




6) Manic Street Preachers - "Patrick Bateman"
After Salinger's "Catcher In The Rye" and Tolkein's "The Hobbit"and Orwell's "1984", this is the book most often referenced in song by musicians. And the thing is I suspect most of the musicians creating a paean to Brett Easton Ellis' psychopathic financier probably identify with him rather than embrace Ellis' satire. The Manics maybe one of the few who got it to judge by their sarky opening.



7) Joy Division - "No Love Lost"
Ian Curtis was very literary in his refrences, from JG Ballard's "Atrocity Exhibtion" to Kafka's short story "In the Penal Colony". Though spoilt for choice I've plumped for a slightly more trashy reference from a book called "House of Dolls" because it's the book from which the band took their name. Curtis quotes a passage from the book directly in the song. 






8) Lagwagon - "Owen Meaney"
Having not read the book I hope author John Irving got to the point a hell of a lot quicker than Lagwagon, a band about which I know nothing. Not very informative on this one I'm afraid.



9) The Stranglers - "Death And Night And Blood" 
Stranglers' bassist JJ Burnel got a bad rap as a thug when in the fledgeling days of punk he just used to lay into photographers at the front of the stage and belt them with his bass. But actually he's pretty well read, evidenced by his solo release "Ozymandias" quoting a Shelley sonnet. But as a song it's nigh on unlistenable. I suspect that this Stranglers ditty was his as well, referencing Japanese author Yukio Mishima's "Confessions Of A Mask". The band identified with outsiders and peripheral guys, such as Sancho Panzer in "No More Heroes". And there were fewer more radical outsiders than Mishima who took his life by traditional seppuku (ritualised self-disembowelling of the Samurai warrior class) after failing to persuade a detachment the army to join a coup d'etat.





10) Jefferson Airplane - "Rejoyce"
Who let the stoners read "Ulysses"? What next, death metal does Samuel Beckett? New Romantics do Flann O'Brien? As impenetrable as the original tome.




11) Iron Maiden - "Rhyme Of The Ancient Mariner"
And yet... Heavy Metal, always associated with anti-intellectualism, well Iron Maiden had several songs inspired by literary works so just goes to show you can't judge a band by their hair length. From the album "Power Slave", oh well, you can't have everything. Did someone say "Spinal Tap"?





12) Hawkwind - "Farenheit 451"
I find myself undergoing a worrying transformation as I hit my 50s. I'm starting to get into Hawkwind, space rock drug excessives from the 1970s and still just about going strong I think. I credit it's that period when their paranoid frontman Robert Calvert wrote lots of songs about terrorism which seems somewhat apt today. I dunno.





13) Magazine - "Song From Under The Floorboards"
Howard Devoto is another one of those New Wave music frontmen who drew hecvaily from literature for their lyrics. Dostoevsky's "Rashkolnikov" is name-checked in the song "Philadelphia" and here devoto draws on the opening to "Notes From The Underground".




14) Bomb The Bass - "5Ml Barrel"
And to finish up, a couple of songs which are the result of collaborations between musicians/producers and actual authors reading their own words, or having them sampled. Bomb The Bass (Tim Simenon) did a song based on William Burroughs' "Naked Lunch" but here goes one better and has the hard-bitten and yet also simultaneously world-weary tones of Will Self also exploring the theme of drug-taking. And mighty fine it is too.






15) William Burroughs/ Gus Van Sant - "Millions Of Images"
Van Sant's cast Burroughs in his second movie "Drugstore Cowboy" and from that emerged a rather wonderful 4-track EP called "The Elvis Of Letters". Burroughs of course had such a characterful Southern drawl, he never actually would need to sing, the music is there in his delivery anyway.










Wednesday, 27 January 2016

Songs About Animals

I've already done a chart of songs about birds but this week's musical odyssey is about the wider animal kingdom. So Mooove on up, no baaaaa humbug on show here as here are 10 songs about creatures great and small.

1) The Cure - "Love Cats"
One of the few bass lines I actually managed to learn myself (though not on a double bass as here). But the beginning of the end of a once mighty alternative/new wave band that the Cure started out as as they entered they Goth phase after this. I might have donned the black of mourning if I'd written this song too...




2) The Beatles - "I Am The Walrus"
If the backwards guitar and off key vocals didn't clue you into the influence of hallucinogenics, check out the video and the lyrics.




3) The Cramps - "Human Fly"
A bit anthropomorphic I know, but it was this or their song "Can Your Pussy Do The Dog?" which might have gained me higher SEO I don't know...




4) Scritti Politti - "Lions After Slumber"
See what I said about this band in my songs about cities. Too bloody clever by half to be any good.



5) Iggy Pop - 'I Wanna be Your Dog"
Okay, it's a deal. Good boy, go fetch...




6) Patti Smith - "Horses"
Sublime.




7) RZA - "Mantis"
I always found solo albums by RZA & GZA superior to those of their parent band Wu Tang Clan. The vibe through the album "Bobby Digital" from which this track is taken just reeks of the discomfiting.




8) Jefferson Airplane - "White Rabbit"
Another drug trippy animal as familiar in song. Good one though.




9) Pussy Galore - "Crawfish"
Some deliciously messed up Southern Blues.




10) Meat Puppets - "Monkey And The Snake"
I used to like this band when they were punk, know what I mean? I guess we all grow old and mellow.



11) The Who - "Boris The Spider"
Or what happens when you finally let the bassist (or drummer) in the band write a song. In this case it's a John Entwistle number which won't threaten the song writing prowess of Townsend and Daltrey. They even let him sing his ditty. Do you think there's vodka or gin in his mic stand drinks contraption?



Saturday, 12 July 2014

60s Music - A barren decade

Until the dawn of the 21st century, the 1960s was my least favourite decade for music. I wasn't sure if I could even scrape together ten tunes to form one of my customary themed charts. And yet it was a highly political decade with youth at its head, so could have been more crucial musically than it turned out to be, although to be fair at least by the decade's end we no longer had to watch our beat combo groups performing on TV still wearing suits. Anyway, here are my top 10 tunes from the 60s.

1) The Doors - "Light My Fire"
To me Doors were the quintessential sound of the 60s. A bit political, a bit rebel, a bit hippy, a touch literary and a lot druggy. Having said that they along with Hendrix are perhaps the only two artists who would have more than a handful of songs in my collection. And Coppola's use of "The End" to bookend his movie "Apocalypse Now" is a perfect artistic synthesis.



2) MC5 -  "Kick Out The Jams"
Now here were a political group who brought a whole heap of trouble down on their heads because of their incendiary music. I met Fred Sonic Smith once, and he looked very burned out. that's what oppositional politics can do for you I guess.



3) Shangri-Las - "Leader Of The Pack"
Girl groups were a staple of the pop charts, but the Shangri-Las turned up to inject a touch of edge, cynicism and put the 'bad' into the bad boy they always seemed to yearn for.



4) Jimi Hendrix - Voodoo Child"
Never been bettered, nuff said. In my contemporary record collection there are bands with maybe two top guitar riffs at best. Hendrix had albums chockfull of them.



5) Creedance Clearwater Revival" - "Have You Ever Sen The Rain"
This is one of those bands I wouldn't have come across were they not referenced and covered heavily by bands I like such as Sonic Youth and Minutemen. But and this is a big but, as great as the songs they wrote were, there is the question, as with Neil Young, of whether you can stand John Fogerty's reedy and frankly weedy vocals. That is the limiting factor for me.



6) Julie London - "Cry Me A River"
There will always be a place for female crooners and this stands the test of time. Will Adele? We will have to wait and see.



7) The Guess Who - "American Woman"
Don't know any other of their songs and again I came to this via a modern cover version, but this is great.



8) Jefferson Starship - "White Rabbit"
Those of you who know me will recall that I am very anti-drug use. And yet in a demonstration of cognitive dissonance, I acknowledge there has been some great music (but probably not great literature) made while under the influence. This is the grand-daddy of them all, or maybe the grand-mommy since Grace Slick's vocal style takes this song beyond the stratosphere.



9) Don Drummond - "The Man In The Street"
At least the 60s brought us Studio One label and the opening up of Jamaican reggae. So it wasn't all bad as a decade then...



10) Pink Floyd - "Lucifer Sam"
The great unsolvable question, what would Pink Floyd have been like if Syd Barett hadn't destroyed his brain cells and been forced to hand the group over to Roger Waters that helped usher in the bloated supergroups of the 1970s like Floyd, Led Zep, Yes, Supertramp, Steeley Dan et al.




Monday, 22 April 2013

Animal Songs

Animals, don't you just love them? Pop stars certainly seem to, "The Birdie Song", "Hungry Like The Wolf", "The Lion Sleeps Tonight", "Eye Of The Tiger", even "Ant Music" made it to the top of the charts. Then there are those throwaway songs such as The Who allowing bassist John Entwhistle to pen a song and he came up with the fairly execrable "Boris The Spider", or The Pogues doing their Tom Waits spoof "Worms" and tucking it away as the last track on the album. Pink Floyd did a whole concept album called "Animals" which in my opinion remains their best album despite the praise heaped on "Dark Side of The Moon" and "Wish You Were Here". But being a concept album, the tracks are too long to upload to the blog for your listening pleasure.

So here are ten animal songs for your delectation and petting.

1) Patti Smith - "Horses"
The queen of New York New Wave that brought a poetic and experimental sensibility to early US punk, here has an urgently driving and rumbling song that still holds up today in its power. The lyric "The boy looked at Johnny" was incidently the title of a short book on UK punk rock penned by teenage Julie Burchill and Tony Parsons in 1977 (their Johnny being Johnny Rotten). And to think what those two have become now... Punk rock RIP



2) Iggy And The Stooges - "I Wanna Be Your Dog"
And still on the subject of 'where did it all go awry?', that sallow faced man who sells you insurance on the TV used to be a bit of an all-out punk rocker who usually ended up bloodied on stage from the intensity of his performance. I used to know a music journalist who lived with Iggy in London.



3) The Cure - "Love Cats"
I have a love-hate relationship with this song. The love is that in my misguided belief that I would be a bassist in a band, when I bought my instrument and tried to teach myself, the bassline intro to this song was one of the few I managed to master. The con, was that this song seemed to signal the demise of The Cure as a cool low-fi post-punk/pop band and enter the world of Goth with bad make up and bombastic music arrangements. Robert Smith in his retreat from fame and adulation had sacrificed Camus' "L'Etranger" of the band's debut album and instead regressed into a child's world as represented by "Charlotte Sometimes" for his influence. "Love Cats" was of course a huge hit for the band.



4) The Birthday Party - "Release The Bats"
If you're going to do Goth properly, obviously you require bats, but you also need a bit of oomph in the music. And though they were never really a Goth band, Nick Cave's Birthday Party had twin drummers in their early incarnation and that gave this song oomph a plenty. "Sex vampire, horror bat bite": Quite.



5) The Beastie Boys - "Brass Monkey"
Hey it was this or "Funky Donkey". I think you all get off lightly! One of their more Frat Boy songs, even though I don't beleive they ever were...



6) Jefferson Airplane - "White Rabbit"
Far out man!



7) Genesis - "The Lamb Lies Down On Broadway"
Double concept albums, twelve string guitars, costumes on stage, ah they don't make 'em like this any more. Phil Collins used to be in genesis you know!



8) The Cramps - "Human Fly"
The signature tune of the Cramps that announced their arrival as the swamp punk rock band supreme. Swaggeringly good. This music was grungy before anyone had heard of Kurt Cobain. The stage clothes however were not. Lux Interior RIP.



9) Jah Woosh - "Woodpecka Sound"
Dub heavy, reggae has lots of songs involving animals, not least the Lion of Judah.



10) Pixies - Monkey Gone To Heaven"
No idea what the song means but I do love it!