So to mark my ambitious project to take on TS Eliot's "The Wasteland" for the 21st century, starting with "The Fire Sermon", here are songs about fire and flames. Enjoy.
1) The Doors - "Light My Fire"
I think this may have been the song that Morrison was singing when he er whipped his 'fire' member out on stage in Florida and got busted for gross indecency. They said Joe Orton's member was in a terrible state when they autopsied him. I suspect the same would have been said of Morrison, if that is indeed him in the grave at Père Lachaise. The Doors are a remarkable entry in my record collection, seeing as they were a) from the 60s, a tedious musical decade and b) had no bass guitar
2) Cop Shoot Cop - "Fire In The Hole"
If like me you're missing the sound of the bass guitar, here's a band who had two of them! There, i feel like musical equilibrium has been re-established.
3) The Prodigy - "Firestarter"
I sort of like The Prodigy, but always feel they cut themselves short in their songs, the volume needs to be turned up to 11 and the song to go on for just a bit longer to really imprint itself into your cranium. But you gentle reader may feel you disagree...
4) The Jam - "Set The House Ablaze"
The Jam were the band I saw most regularly play live (until The Fall came along). This was always a show stopper live, but sounds a bit thin on this recording. You can always check out the studio version.
5) Lee Scratch Perry - "Soul Fire"
Love, love this song. That is all.
6) Gun Club - "Fire Of Love"
Confusingly this track is off their second album "Miami", even though the debut album was called "Fire Of Love". Primordial rock and roll. 1-2 Bash, plunk
7) Jimi Hendrix - "Fire"
And the master of the smoking guitar... I notice there is a Bruno Mars song of the same name, it better not be a cover version...
8) The Bug - "Catch A Fire"
More seductive than Jim Morrison's leather trousers.
9) The Crazy World Of Arthur Brown - "Fire"
This must have freaked folk out in the 1960s. No wonder they say rock and roll is the Devil's music.
10) Section 25 - "Friendly Fires"
Let's calm things down a bit shall we? Actually, this tale of aerial bombardment is really unsettling in atmosphere.
11) Einsturzende Neubauten - "Feurio"
A play on the German word FUEUR meaning fire, but I looked up the lyrics and it counts for the purposes of this chart. Anyway, my chart, my rules. Singer Blixa Bargeld's voice really is a musical instrument in its own right, not a soothing one, but what sounds come out of his larynx...
12) Talking Heads - "Burning Down The House"
The intro is way better than the rest of the song, but what you gonna do?
13) Johnny Cash - "Ring Of Fire"
Ladies and gentlemen, Mr Johnny Cash... Hate to think what "Viz" comic would make of the lyrics, the character Johnny Fartpants in particular. From the sublime to the ridiculous, mea culpa but that's how I (rock and) roll.
14) Marc Riley & The Creepers - "Baby's On Fire"
I know Brian Eno did the original, but I prefer this i finger on the piano version that shows it stripped down bare.
15) Public Enemy - "Burn Hollywood Burn"
On the one hand the timing is unfortunate with the recent devastating fires in Napa and surrounding areas, but then with the issue of Harvey Weinstein's white male patriarchal domination of the movie industry, then perhaps the timing is apposite.
16) Meat Puppets - "Lake Of Fire"
Always had a soft spot for Meat Puppets with their blend of punk and country rock.
17) Big Country - "Fields Of Fire"
Or rain in this case by the look of it. No one needs a drumkit that size. This is the Scottish version of The Meat Puppets methinks. Do you spot the essence of The Clash's "Should I Stay Or Should I Go" in the tune?
18) Sylford Walker - "Burn Babylon"
Reggae at its finest.
19) Birthday Party - "Sonnys' Burning"
A song truly from the bowels of Hell. Rowland S Howard's guitar is astounding as it builds up. RIP Rowland and Tracey Pew.
20) The Ruts - "Babylon's Burning"
My karaoke song at a work's Xmas Party (it was a punk karaoke). My voice is quite similar to Malcolm Owen's.
Bonus Track
MC 900Ft Jesus - "The City Sleeps"
Lots of songs here about sexual conflagration and emotional arson, but here's the real thing. The most chilling narrative about an arsonist.
“ – the dangerous words, the padlocked words, the words that do not belong to the dictionary, for if they were written there, written out and not maintained by ellipses, they would utter too fast the suffocating misery of a solitude …” Jean Genet Introduction to “Soledad Brother – The Prison Letters of George Jackson”
Showing posts with label Gun Club. Show all posts
Showing posts with label Gun Club. Show all posts
Wednesday, 18 October 2017
Monday, 18 July 2016
Ghost Music
To mark the release of the new Ghostbusters movie I thought I'd compile a music video playlist of ghost songs. Now I am not one who believes in the paranormal or the supernatural, but funnily enough I do believe in the possible existence of what might be termed as ghosts; when a person dies in sudden, stressful circumstances, it is possible they leave a searing energy trace and that is what we pick up and regard as a ghostly presence. Having said that, I'm not that interested so as to go on a ghost hunt or anything like that. I'll just stick to my own ghost sonatas presented her. Enjoy!
1) "Ghost In My House" - R.Dean Taylor
I know nothing about R.Dean Taylor and only came to this song when the Fall covered it, but since I've got a Fall ghost song later I thought I'd check out the original. The ghost of a relationship, yeah that works for me.
2) "The Ghost Of Tom Joad" - Bruce Springsteen
Marc, I'm beginning to worry about you. All your life you've fulminated about Bruce Springsteen. Ever since you grew up in Wembley and came home past the stadium where Bruce was playing a week of concerts to 80,000 folk and you were appalled (and let's be honest sniggering too) at so many British souls wearing a 'Born in the USA' t-shirt. And yes you know Bruce meant the song ironically, not as a patriot rally call at all but a searing indictment of the American Dream, but still all those Brits in stars and stripes left a distaste that has stayed with you. But now Bruce makes his second appearance in one of these playlists. Are you mellowing with age? Has your music tastes changed. Has Britian formally become the 51st State of America (see Chilcot Report)...? No, I still hate him, but well, just, you know... Besides my kids did Steinbeck for their GCSE English Lit and I didn't object to that for being 'American'... Cognitive dissonance I guess.
3) Her Ghost In The Fog" - Cradle Of Filth
It also has to be said this is the first time Heavy Mentallists Cradle Of Filth have appeared in one of these playlists. This ghost theme seems to have got you spooked...
4) "The Ghost With A Hammer In His Hand" - Tools You Can Trust
Ah now that's better, one of my actual you know like favourites... 319 views, 2 comments, 1 of them mine, the other from the singer's son, what the hell is going on here? There is no justice.... Actually Tools You Can Trust were always an odd blend of industrial noise percussion and bass, with surf guitar as here. I liked them though. Sniff.
5) "Ghost On The Highway" - Gun Club
A lover is killed and the ghost wanders the highways and byways of the US. Great swamp rock blues from the Gun Club as is to be expected.
6) "Ghosts Of Ladbroke Grove" - Killing Joke
I have a soft spot for Ladbroke Grove having lived there for a few years and worked there for 15 years. The original Killing Joke song was nothing special, but this dub version is outstanding and has some of the heaviest dub bass you'll ever here. The sentiment is correct I think, in that the area was the run down part of the Royal Borough Of Kensington & Chelsea and lots of creative art and music emerged from it as it played host to a lot of squats which also doubled up for rehearsal and performance spaces as they were free. The Clash and Hawkwind both came from the area. Punk could legitimately be said to have been started there as punk and reggae influenced on another through being in close physical proximity. Dubstep, a uniquely London music genre also had a strong footing in this part of West London. But now the London property boom being what it is, there are no more squats and houses and flats probably go for a million pounds or so (forgive me I haven't checked the property papers, it's all too galling) and the area trades off its artistic past with very little new work being produced. Sad really.
7) "Ghost Town" - The Specials
Now this really does sound ethereal and ectoplasmic and yet it was absolutely rooted in the reality of 1980s post-riot Britain. Ghosts are about presence, something that just won't fade away and die but clings on for dear life, well death maybe. But a ghost town of course is the exact opposite of that, a total absence and this song captures the sensation so wonderfully.
8) "Spectre Vs Rector" - The Fall
As unlistenable as presumably a full-blown exorcism might sound. Actually the Fall have a brilliant song about ghostly sensations in old buildings, but as it's called "City Hobgoblins" I didn't think I could include it in a playlist devoted to ghosts. I don't want the paranormal genre fiction police on my back for such a crime...
9) "Ghost Ride" - Suicide
In what has been a dreadful few months for rock and roll in terms of deaths (has the relatively recent art form suddenly reached an age where its key players are of such an age that they do all die off?), this weekend we learned of another fatality. Alan Vega rest in peace. A singer and his compadre at a keyboard, flying right in the teeth of punk and new wave, these guys were truly pioneers.
10) "Ghosts" - The Jam
Paul Weller's lyrical prowess to the fore here. Still backing singers and a horn section, we fans knew it was the beginning of the end for this particular power trio.
11) "The Ghost In You" - Psychedelic Furs
I was never a great fan of the Furs, though I did like "Pretty In Pink", but then that did have more of edge than this saccharine number.
12) "Ghost on The Dancefloor" - Blink 182
I never understood why people regard Blink 182 as punk. They are rockers no less than Bruce Springsteen or US. They probably do Pete Townsend arm revolutions but as I'm not a fan I haven't any video evidence to back that up.
13) "Cherché La Ghost" - Ghostface Killah
When you're a rap singer and your name is Ghostface Killah, chances are at some point you'll be doing a song tooting your own horn and name-checking yourself. Ladies and gentlemen, I give you-
14) "Ghost of A Chance" - Rush
I used to quite like a couple of Rush's early albums, but then I discovered they were heavily influenced by the writings of Ayn Rand (there's even a track called "Anthem"). Then I didn't like them any more. Still don't. But I see from videos like this that they certainly didn't get any better musically or lyrically even when they abandoned their Rand fixation.
15) "Little Ghost" - "White Stripes / "Casper The Friendly Ghost" - Daniel Johnston
Prefer Daniel Johnston's for twee mania music but there you go. Daniel Johnston however isn't playing at it
1) "Ghost In My House" - R.Dean Taylor
I know nothing about R.Dean Taylor and only came to this song when the Fall covered it, but since I've got a Fall ghost song later I thought I'd check out the original. The ghost of a relationship, yeah that works for me.
2) "The Ghost Of Tom Joad" - Bruce Springsteen
Marc, I'm beginning to worry about you. All your life you've fulminated about Bruce Springsteen. Ever since you grew up in Wembley and came home past the stadium where Bruce was playing a week of concerts to 80,000 folk and you were appalled (and let's be honest sniggering too) at so many British souls wearing a 'Born in the USA' t-shirt. And yes you know Bruce meant the song ironically, not as a patriot rally call at all but a searing indictment of the American Dream, but still all those Brits in stars and stripes left a distaste that has stayed with you. But now Bruce makes his second appearance in one of these playlists. Are you mellowing with age? Has your music tastes changed. Has Britian formally become the 51st State of America (see Chilcot Report)...? No, I still hate him, but well, just, you know... Besides my kids did Steinbeck for their GCSE English Lit and I didn't object to that for being 'American'... Cognitive dissonance I guess.
3) Her Ghost In The Fog" - Cradle Of Filth
It also has to be said this is the first time Heavy Mentallists Cradle Of Filth have appeared in one of these playlists. This ghost theme seems to have got you spooked...
4) "The Ghost With A Hammer In His Hand" - Tools You Can Trust
Ah now that's better, one of my actual you know like favourites... 319 views, 2 comments, 1 of them mine, the other from the singer's son, what the hell is going on here? There is no justice.... Actually Tools You Can Trust were always an odd blend of industrial noise percussion and bass, with surf guitar as here. I liked them though. Sniff.
5) "Ghost On The Highway" - Gun Club
A lover is killed and the ghost wanders the highways and byways of the US. Great swamp rock blues from the Gun Club as is to be expected.
6) "Ghosts Of Ladbroke Grove" - Killing Joke
I have a soft spot for Ladbroke Grove having lived there for a few years and worked there for 15 years. The original Killing Joke song was nothing special, but this dub version is outstanding and has some of the heaviest dub bass you'll ever here. The sentiment is correct I think, in that the area was the run down part of the Royal Borough Of Kensington & Chelsea and lots of creative art and music emerged from it as it played host to a lot of squats which also doubled up for rehearsal and performance spaces as they were free. The Clash and Hawkwind both came from the area. Punk could legitimately be said to have been started there as punk and reggae influenced on another through being in close physical proximity. Dubstep, a uniquely London music genre also had a strong footing in this part of West London. But now the London property boom being what it is, there are no more squats and houses and flats probably go for a million pounds or so (forgive me I haven't checked the property papers, it's all too galling) and the area trades off its artistic past with very little new work being produced. Sad really.
7) "Ghost Town" - The Specials
Now this really does sound ethereal and ectoplasmic and yet it was absolutely rooted in the reality of 1980s post-riot Britain. Ghosts are about presence, something that just won't fade away and die but clings on for dear life, well death maybe. But a ghost town of course is the exact opposite of that, a total absence and this song captures the sensation so wonderfully.
8) "Spectre Vs Rector" - The Fall
As unlistenable as presumably a full-blown exorcism might sound. Actually the Fall have a brilliant song about ghostly sensations in old buildings, but as it's called "City Hobgoblins" I didn't think I could include it in a playlist devoted to ghosts. I don't want the paranormal genre fiction police on my back for such a crime...
9) "Ghost Ride" - Suicide
In what has been a dreadful few months for rock and roll in terms of deaths (has the relatively recent art form suddenly reached an age where its key players are of such an age that they do all die off?), this weekend we learned of another fatality. Alan Vega rest in peace. A singer and his compadre at a keyboard, flying right in the teeth of punk and new wave, these guys were truly pioneers.
10) "Ghosts" - The Jam
Paul Weller's lyrical prowess to the fore here. Still backing singers and a horn section, we fans knew it was the beginning of the end for this particular power trio.
11) "The Ghost In You" - Psychedelic Furs
I was never a great fan of the Furs, though I did like "Pretty In Pink", but then that did have more of edge than this saccharine number.
12) "Ghost on The Dancefloor" - Blink 182
I never understood why people regard Blink 182 as punk. They are rockers no less than Bruce Springsteen or US. They probably do Pete Townsend arm revolutions but as I'm not a fan I haven't any video evidence to back that up.
13) "Cherché La Ghost" - Ghostface Killah
When you're a rap singer and your name is Ghostface Killah, chances are at some point you'll be doing a song tooting your own horn and name-checking yourself. Ladies and gentlemen, I give you-
14) "Ghost of A Chance" - Rush
I used to quite like a couple of Rush's early albums, but then I discovered they were heavily influenced by the writings of Ayn Rand (there's even a track called "Anthem"). Then I didn't like them any more. Still don't. But I see from videos like this that they certainly didn't get any better musically or lyrically even when they abandoned their Rand fixation.
15) "Little Ghost" - "White Stripes / "Casper The Friendly Ghost" - Daniel Johnston
Prefer Daniel Johnston's for twee mania music but there you go. Daniel Johnston however isn't playing at it
Labels:
Alan Vega,
Blink 182,
Bruce Springsteen,
Chilcot Report,
Daniel Johnstone,
Ghostbusters,
Ghostface killah,
Gun Club,
Killing Joke,
Rush,
Songs About Ghosts,
Specials,
The Fall,
The Jam,
White Stripes
Wednesday, 18 November 2015
Love Songs
Those that know me as a writer say I don't write many stories about love. I'd disagree with this and indeed in my latest collection there are a couple of heart-rendering love stories, but yeah it's true, they don 't end well. Actually, there's a third story "Eyes In The Back of His Hands" that's an intense portrayal of love with a blind lover. You can read it here.
So I thought my next music themed chart should be love related. But I'm not really one for the classic pap love song, sorry I meant pop love song. But here's ten of my favourite love tinged songs.
Ramones - "Baby I Love You"
Two-minute thrash rockers go all slow strings and syrupy on this track and I Loooove it!
So I thought my next music themed chart should be love related. But I'm not really one for the classic pap love song, sorry I meant pop love song. But here's ten of my favourite love tinged songs.
Ramones - "Baby I Love You"
Two-minute thrash rockers go all slow strings and syrupy on this track and I Loooove it!
Keith Rowe - "Groovy Situation"
When Keith belts out "This is how I feel" towards the end, it sends shivers down my spine. He means it he really, really means it. He's in love, with all of his soul. Mesmerising despite a reasonably unpromising beginning to the song.
When Keith belts out "This is how I feel" towards the end, it sends shivers down my spine. He means it he really, really means it. He's in love, with all of his soul. Mesmerising despite a reasonably unpromising beginning to the song.
Undertones - "You Got My Number (Why Don’t You Use It?)"
Hey I never said the love had to be requited in these songs did I? Love this song as I did of so many of the Undertones' output. Perfectly crafted 3 minute pop-punk, cheeky and belligerent at the same time, with catchy choruses, which when push comes to shove, no one really gets hurt in the end.
CSS - "Let’s Make Love And Listen To Death from Above"
Probably wins the award for best titled live song. Don't know if anyone else feels this, but it has the feel of a post-coital song to me, lying back on the bed, smoking a cigarette and letting your thoughts float free. Oh just me then...
Hey I never said the love had to be requited in these songs did I? Love this song as I did of so many of the Undertones' output. Perfectly crafted 3 minute pop-punk, cheeky and belligerent at the same time, with catchy choruses, which when push comes to shove, no one really gets hurt in the end.
CSS - "Let’s Make Love And Listen To Death from Above"
Probably wins the award for best titled live song. Don't know if anyone else feels this, but it has the feel of a post-coital song to me, lying back on the bed, smoking a cigarette and letting your thoughts float free. Oh just me then...
Infadels - "Love Like Semtex"
The only song of theirs I really liked. It's not particularly coherent lyrics wise, but it manages to convince through the beat and the delivery.
The only song of theirs I really liked. It's not particularly coherent lyrics wise, but it manages to convince through the beat and the delivery.
New Order - "Love Vigilantes"
Joy Division wrote the searing "Love Will Tea Us Apart" with it's mea culpa and realistic sensibilities about the flaws and failings within a relationship. New Order pen this potty ditty about a soldier returning home from war to his wife who believes him dead. It lacks any gravitas or even much in the way of credibility, but it's bouncy and hummable and I like it in spite of myself.
Joy Division wrote the searing "Love Will Tea Us Apart" with it's mea culpa and realistic sensibilities about the flaws and failings within a relationship. New Order pen this potty ditty about a soldier returning home from war to his wife who believes him dead. It lacks any gravitas or even much in the way of credibility, but it's bouncy and hummable and I like it in spite of myself.
The Rezillos - "I love My Baby Cos She Does Could Sculptures"
What better reason could there be? Never overlook the significant part Art Colleges played in the rise of UK punk in the middle of the 1970s. Perhaps that's why Paul Weller penned such an acerbic song called "Art School" to distance people from the notion that The Jam were associated with punk. Anyway, hilarious intro to this song about how the band hated each other.
What better reason could there be? Never overlook the significant part Art Colleges played in the rise of UK punk in the middle of the 1970s. Perhaps that's why Paul Weller penned such an acerbic song called "Art School" to distance people from the notion that The Jam were associated with punk. Anyway, hilarious intro to this song about how the band hated each other.
The Pogues - "Kitty"
Shane Macgowan was a master of writing aching love songs full of loss and regret, often tied up to exile and leaving your country behind. Of course everyone knows "Fairytale Of New York", but for sheer weary emotion I don't think you can top this.
Shane Macgowan was a master of writing aching love songs full of loss and regret, often tied up to exile and leaving your country behind. Of course everyone knows "Fairytale Of New York", but for sheer weary emotion I don't think you can top this.
Boss Hog - "I Dig You"
Husband and wife team Jon Spencer and Cristina Martinez pen a daft song pledging their troth towards one another. But I loved this band with their blend of swamp dirt blues and Spencer's later incarnation Jon Spencer's Blues Explosion that deconstructs and reconstructs the Blues with a particular 21st Century spin.
Gun Club - "Fire Of Love"
The primal sound of love, lust, concupiscence the whole shooting match. The fire of love, does exactly what it says on the tin.
Gang Of Four - "Love Like Anthrax"
Okay, so I just couldn't help myself and reverted to type. A song that deconstructs the notion of love as mythologised in 3 minute pop songs. Apart from what's going on musically, this is really interesting in the way the two vocal narratives cut across one another with no concern as to which one the listener gloms on to. A bit like a married couple having an argument, which kind of summed up the relationship of guitarist Andy Gill & lead singer Jon King who periodically broke up and came back together/. I think right now King has left the band again.
Husband and wife team Jon Spencer and Cristina Martinez pen a daft song pledging their troth towards one another. But I loved this band with their blend of swamp dirt blues and Spencer's later incarnation Jon Spencer's Blues Explosion that deconstructs and reconstructs the Blues with a particular 21st Century spin.
Gun Club - "Fire Of Love"
The primal sound of love, lust, concupiscence the whole shooting match. The fire of love, does exactly what it says on the tin.
Gang Of Four - "Love Like Anthrax"
Okay, so I just couldn't help myself and reverted to type. A song that deconstructs the notion of love as mythologised in 3 minute pop songs. Apart from what's going on musically, this is really interesting in the way the two vocal narratives cut across one another with no concern as to which one the listener gloms on to. A bit like a married couple having an argument, which kind of summed up the relationship of guitarist Andy Gill & lead singer Jon King who periodically broke up and came back together/. I think right now King has left the band again.
Saturday, 25 April 2015
Road Songs
I don't drive. But where would modern music be without bands taking to the road in their early careers to play gigs, before they can swap the cramped sweaty confines of a van for a jet or a mammoth tour-bus? Here's 10 songs honouring the humble asphalt.
1) Nat King Cole - "Route 66"
The quintessential 'road' song, probably also one of the most covered tracks in music history. But do you know who originally penned it? I didn't, had to look it up - Bobby Troup. No, me neither...
2) Bob Dylan - "Highway 61 Revisited"
Dylan being Dylan right?
3) Tom Robinson Band - "2,4,6,8 Motorway"
From the band who sang of feminism and gay rights came this great road anthem. And we don't really have a trucking culture in the UK!
4) Kraftwerk - "Autobahn"
Perfectly captures the featureless, concrete tedium of motorway driving. Always one step ahead were Kraftwerk.
5) Eddy Grant - "Electric Avenue"
A street in brixton South London. it was the first street mraket to be lit by electricity. And that's about all I can say about it, other than I seem to remember this song was a massive hit.
6) Laurie Anderson - "New Jersey Turnpike"
Many people would struggle to name another Laurie Anderson song other than "Oh Superman". To judge by the views on YouTube, this gives further evidence to that. See if you can tip it over tyhe 100 views!
7) Cat Stevens - "Portobello Road"
Yeah, it ain't like that now, even though the market is still there... I worked there for 15 years or so. A very um lively part of London.
8) Gun Club - "Ghost on The Highway"
Roads through swamplands, yep the sound of Gun Club. With a driving rhythm too.
9) Meat Puppets - "Lost on the Freeway"
A thrash punk band that turned into a folksy band conjuring up the rhythms and landscapes of the US South-West, of deserts and pueblos. Luscious stuff.
10) Sonic Youth - "Expressway To yr Skull"
Not strictly about a real road, or maybe it is? the road of the mind... ooooh, spooky
Bonus Track:
Billy Bragg - "A13"
The British retort to "Route 66". Most unglamorous! Funnily enough, a lot of swing seats in the upcoming general election are name checked here.
1) Nat King Cole - "Route 66"
The quintessential 'road' song, probably also one of the most covered tracks in music history. But do you know who originally penned it? I didn't, had to look it up - Bobby Troup. No, me neither...
2) Bob Dylan - "Highway 61 Revisited"
Dylan being Dylan right?
3) Tom Robinson Band - "2,4,6,8 Motorway"
From the band who sang of feminism and gay rights came this great road anthem. And we don't really have a trucking culture in the UK!
4) Kraftwerk - "Autobahn"
Perfectly captures the featureless, concrete tedium of motorway driving. Always one step ahead were Kraftwerk.
5) Eddy Grant - "Electric Avenue"
A street in brixton South London. it was the first street mraket to be lit by electricity. And that's about all I can say about it, other than I seem to remember this song was a massive hit.
6) Laurie Anderson - "New Jersey Turnpike"
Many people would struggle to name another Laurie Anderson song other than "Oh Superman". To judge by the views on YouTube, this gives further evidence to that. See if you can tip it over tyhe 100 views!
7) Cat Stevens - "Portobello Road"
Yeah, it ain't like that now, even though the market is still there... I worked there for 15 years or so. A very um lively part of London.
8) Gun Club - "Ghost on The Highway"
Roads through swamplands, yep the sound of Gun Club. With a driving rhythm too.
9) Meat Puppets - "Lost on the Freeway"
A thrash punk band that turned into a folksy band conjuring up the rhythms and landscapes of the US South-West, of deserts and pueblos. Luscious stuff.
10) Sonic Youth - "Expressway To yr Skull"
Not strictly about a real road, or maybe it is? the road of the mind... ooooh, spooky
Bonus Track:
Billy Bragg - "A13"
The British retort to "Route 66". Most unglamorous! Funnily enough, a lot of swing seats in the upcoming general election are name checked here.
Tuesday, 15 January 2013
About The Weather - 10 songs on a climate theme
With the barometer bouncing up and down like a fairground "Try Your Strength" machine, I thought it was maybe time for or a weather themed chart. Here's ten different weather systems honoured in song to warm the cockles of your heart. Don't forget your umbrella!
1) "Have You Ever Seen The Rain" - Creedence Clearwater Revival
One of the main differences between rock music and literature, is that rock musicians are way more upfront about tipping their hat to their influences. Of course it;s easier to record a cover version of somebody else's song than to reproduce someone else's text and pass it off as your own, though there are some existing stories retold anew by writers and William Burroughs did take other writers' texts and incorporate them in his cut up technique... Anyhoo, Creedence Clearwater revival were a band I only came to after the fact, because their songs were covered by the likes of Sonic Youth, Minutemen, REM and the like. And this one is really rather beautiful.
2) "Set Your Controls For The Heart Of The Sun" - Pink Floyd
Early Pink Floyd and the continued interest in all things interstellar, although this was recorded around the time when David Gilmour came in to replace the ailing Syd Barrett (and doesn't Gilmour look terrified in this video?) This song has a real menace to it even if that was never its intent. But then I guess if you're piloting straight for the hottest star in our system...
3) "Riders On The Storm" - The Doors
Don't know what it is about the 1960s that brought out all these great songs about the weather. There again the weather was intimately associated with man's early knowledge, spirituality and superstitions, so what better subject for the Hippy decade? Another unnerving song, with possible some of the greatest blending of music and sound effect committed to vinyl.
4) "Like Calling Up Thunder" - Gun Club
And so to the 1980s, though Gun Club were a band obsessed with a swampy blues rock that harked back to the 1960s and themes of voodoo and devils in the wood. Not one of their better tracks to be honest, but their relatively short discography has many gems in it and I recommend you track them down as a band if you haven't encountered them before.
5) "Snowblind" - Black Sabbath
Um Ozzy Osborne & Co doing what they do best. I think.
6) "Butterflies And Hurricanes" - Muse
And talking of over the top, Muse actually downscale their usual ambitions of all things cosmic and content themselves with the more earthly scale of the elemental force of a hurricane. Why is it that the guys who sing of elemental forces are always so skinny?
7) "Blowin In The Wind" - Peter, Paul & Mary
Talking of 60s icons and all things meteorological, can you believe there isn't a decent Bob Dylan version of this on You Tube? So the next best thing, though it still lacks Dylan's plaintive vocal urgency methinks. It's weird, as a child of punk I shunned all things Hippy, but actually this particular chart demonstrates to me that there were some rather nifty tunes that emerged from that sordid music decade! Must be losing my edge...
8) "Little Fluffy Clouds" - The Orb
And so to dance music whose light shows often reproduced a microclimate live on stage, to obscure the fact that there wasn't much in the way to look at the musicians dwarfed behind their banks of keyboards.
9) "Crying Lightning" - Arctic Monkeys
Remember when Arctic Monkeys were supposed to be the band that emerged from the internet world to save us all from the dross of TV Talent show music production? What ever happened to that I wonder? Their career took an arctic tern for the worse it appears (did you see what I did there?)
10) "Misty Mountain Hop" - Led Zeppelin
The one depressing aspect of this chart, is not the preponderance of inclement weather, but how many members of these bands are now dead. 6 of these 10 artists have lost band members to the great rock and roll smoke machine clouds in the sky.
1) "Have You Ever Seen The Rain" - Creedence Clearwater Revival
One of the main differences between rock music and literature, is that rock musicians are way more upfront about tipping their hat to their influences. Of course it;s easier to record a cover version of somebody else's song than to reproduce someone else's text and pass it off as your own, though there are some existing stories retold anew by writers and William Burroughs did take other writers' texts and incorporate them in his cut up technique... Anyhoo, Creedence Clearwater revival were a band I only came to after the fact, because their songs were covered by the likes of Sonic Youth, Minutemen, REM and the like. And this one is really rather beautiful.
2) "Set Your Controls For The Heart Of The Sun" - Pink Floyd
Early Pink Floyd and the continued interest in all things interstellar, although this was recorded around the time when David Gilmour came in to replace the ailing Syd Barrett (and doesn't Gilmour look terrified in this video?) This song has a real menace to it even if that was never its intent. But then I guess if you're piloting straight for the hottest star in our system...
3) "Riders On The Storm" - The Doors
Don't know what it is about the 1960s that brought out all these great songs about the weather. There again the weather was intimately associated with man's early knowledge, spirituality and superstitions, so what better subject for the Hippy decade? Another unnerving song, with possible some of the greatest blending of music and sound effect committed to vinyl.
4) "Like Calling Up Thunder" - Gun Club
And so to the 1980s, though Gun Club were a band obsessed with a swampy blues rock that harked back to the 1960s and themes of voodoo and devils in the wood. Not one of their better tracks to be honest, but their relatively short discography has many gems in it and I recommend you track them down as a band if you haven't encountered them before.
5) "Snowblind" - Black Sabbath
Um Ozzy Osborne & Co doing what they do best. I think.
6) "Butterflies And Hurricanes" - Muse
And talking of over the top, Muse actually downscale their usual ambitions of all things cosmic and content themselves with the more earthly scale of the elemental force of a hurricane. Why is it that the guys who sing of elemental forces are always so skinny?
7) "Blowin In The Wind" - Peter, Paul & Mary
Talking of 60s icons and all things meteorological, can you believe there isn't a decent Bob Dylan version of this on You Tube? So the next best thing, though it still lacks Dylan's plaintive vocal urgency methinks. It's weird, as a child of punk I shunned all things Hippy, but actually this particular chart demonstrates to me that there were some rather nifty tunes that emerged from that sordid music decade! Must be losing my edge...
8) "Little Fluffy Clouds" - The Orb
And so to dance music whose light shows often reproduced a microclimate live on stage, to obscure the fact that there wasn't much in the way to look at the musicians dwarfed behind their banks of keyboards.
9) "Crying Lightning" - Arctic Monkeys
Remember when Arctic Monkeys were supposed to be the band that emerged from the internet world to save us all from the dross of TV Talent show music production? What ever happened to that I wonder? Their career took an arctic tern for the worse it appears (did you see what I did there?)
10) "Misty Mountain Hop" - Led Zeppelin
The one depressing aspect of this chart, is not the preponderance of inclement weather, but how many members of these bands are now dead. 6 of these 10 artists have lost band members to the great rock and roll smoke machine clouds in the sky.
Saturday, 30 June 2012
Ace Of Bass - 20 top bass driven tunes
It's always the lead guitarists who get all the muso-glory. Drummer get the jokes made about them, singers do the interviews and bassists? Well bassists are like the invisible man of the band. Here's a list of 20 songs to partly redress the balance. They may not all be bass licks by musical virtuosos, but the song wouldn't be the same with a lesser bassline.
1) Buzzcocks - "Whatever Happened To?"
How's this for a bass intro? The instrument really came into its own with punk, since the limited musical abilities of the early punkers meant that the primitive sounds just merged into a noisy squall. But solo bass intros allowed some separation out at the beginning of the song and there were many punk bassists who suddenly stepped more into the limelight than in previous musical eras.
7) The Ruts - "Love In Vein"
Part of punk and New Wave was a formal link up and experimentation with reggae and reggae musicians. Ruts were out and out punk but had very close local ties to roots reggae band Misty and the two shared many bills on the Rock Against Racism tour. Here the crossover is clear in one of the most achingly sad and beautiful songs by a punk band.
8) The Jam - "Funeral Pyre"
By now punk had gone all mainstream and bands like the Jam were having regular singles in the Top 10 of the charts. This song is unusually heavy and free-form for what was a tight threesome and everyone normally remembers the drum solo closing out the song, but actually bassist Bruce Foxton was also allowed off his tight leash to twiddle and thump away. Powerpop.
9) The Cure - "A Forest"
The Cure were never punk. A bit low-fi pop on their debut album and soon to move into stadium Goth. But in between was their second melancholy album and this track showing a bass also driving a song, but without the bluster and pose of songs with harder edge. The sound of a higher end bass. Who'd be a bassists though? The Cure's Laurence Tolhurst went to Court to sue over lack of royalties saying he contributed ineffably to the Cure sound. He lost.
10) Dead Kennedys - "We Got a Bigger Problem Now"
Hopping back over the pond and New Wave had taken the reverse journey and morphed into punk, thrash and hardcore. Progenitors of that were San Fransisco's Dead Kennedys with Klaus Flouride on bass. Here he has a little lounge music lick to satirise the right wing's music of choice. This song was a reworking of their earlier hit "California Uber Alles" written about the right-wing Governor Jerry Brown. But with californian Ronald reagan ascending to the Whitehouse, the US did as they say, have a bigger problem than that now... The West coast can do its own rather nice line in paranoia too.
11) Minutemen - "Anchor"
But US punk wasn't all thrash. The Minutemen were a trio whose musical abilities allowed them to include folk and jazz elements to their tightly blended mix. Guitar and bass alternated duties as leading songs and the band introduced Mike Watt, bass guitarist supreme upon the world.
13) Gang Of Four - "To Hell With Poverty"
The funk is introduced to New Wave. George Clinton and other funk bands were perhaps the only other precursors of punk who might bring the bass into the foreground. Since Gang Of Four's guitar sound was so choppy and intermittent, they needed a bass sound to carry the weight of some songs and fill in the gaps.
14) Beastie Boys - "Gratitude"
Hip hop could sample any sound it wanted. Yet when the Beastie Boys went back to their live instruments and punky roots, they brought delicious distortion to their bass sound. Ramp it up! RIP Adam MCA Yauch.
15) Birthday Party - "Mutiny In Heaven"
Punk, New Wave, Goth, what did any of it mean anymore by the mid-80s? There was a flowering of indie bands each pursuing their own underground tracks. The Birthday Party from Australia were one such blossoming that couldn't really be pigeonholed. But bassist Tracy Pew with his cowboy hat and biker fashion, sadly now dead from his grand mal seizures, was always driving the band forward with their off beat drum section, sometimes one drummer, sometimes two which he had to compete with as well as compliment. A bass rumble truly to soundtrack the rhythms of Hell!
16) Gun Club - "Sexbeat"
Psychobilly (UK) or swamp blues (US) was creative another offshoot and here the bass truly lends a quality of swampy sludge even as it drives the blues throb along in its train-driving manner.
17) Jesus And Mary Chain - "Sidewalking"
Meanwhile from Scotland, a band who wanted to be the surfer punks, the Beach Boys with a lot of reverb on top. I kind of liked their schtick, but the bass was always prominent among the feedback squall of the lead. It had to be, to keep it all together.
18) Cop Shoot Cop - "Shine On Elisabeth"
Two basses no guitars, this is a no brainer. 1 hi-end bass, one low-end bass, a heavnely heavy duty throbbing racket. This is my bass nirvana I think (the Buddhist ideal highest state of non-being, not Kurt Cobain's outfit).
19) Thee Johns - "White Boy Engineer"
There was a fashion for rock bands having drum machines instead of live drummers which definitely changed the vibe. Drum machines always sounded a bit tinny and brittle, so the bassist had to inject the weight into the musical grooves to compensate.
20) White Denim - "Let's Talk About It"
And so to the present day. I don't much about this band but we seem to be still where we were with permission for the bass sometimes to grab the glory in a song. Even with a geeky looking guy on bass like this one! Thanks for listening
1) Buzzcocks - "Whatever Happened To?"
How's this for a bass intro? The instrument really came into its own with punk, since the limited musical abilities of the early punkers meant that the primitive sounds just merged into a noisy squall. But solo bass intros allowed some separation out at the beginning of the song and there were many punk bassists who suddenly stepped more into the limelight than in previous musical eras.
2) The Stranglers - "Nice'N'Sleazy"
This was the band who maybe made me really fall in love with the instrument. Jean-Jacques Burnel's bass was just so dirty sounding, as befit their lyrics. Yeah there were persistent rumours that he couldn't actually play and the keyboardist Dave Greenfield was actually playing the riffs, but Burnel was a classically trained musician so I don't buy it. The lowest of low-end bass!
3) Wire - "Like a Heartbeat"
Wire were always more arty purveyors of punk rock, musically stripped down. the bass pulse as a heartbeat, what could be simpler than that? Stunningly effective. Suddenly it was the upfront bass sound that people could dance to, just like in reggae.
4) Talking Heads - "Psychokiller"
Meanwhile, over in New York where New Wave preceded punk unlike in Britain, there were some accomplished musicians showing a punk attitude but with musical virtuosity to boot. If I wanted to look like JJ Burnel, I wanted Tina Weymouth to be my girlfriend. Quite simply a psychokiller of a bass intro.
5) Pere Ubu - "Heart Of Darkness"
And just to emphasise New York's primacy of the accomplished New Wave sond, comes Pere Ubu and another paranoia-suffused bass intro. Both these tracks have the bass as the more primary instrument and don't they sound all the better for it? New York in the early 80s must have been one messed up city.
6) Public Image Ltd - "Poptones"
The brief flare that was punk rock was quickly replaced by New Wave in Britain with similar values to those in the US. Arch musical experimentalists PIL had the musical genius that is Jah Wobble on bass, heavily influenced as his name suggests by bass-heavy dub reggae. A bass sound that is both dense and fragile at the same time. Outstanding.
Part of punk and New Wave was a formal link up and experimentation with reggae and reggae musicians. Ruts were out and out punk but had very close local ties to roots reggae band Misty and the two shared many bills on the Rock Against Racism tour. Here the crossover is clear in one of the most achingly sad and beautiful songs by a punk band.
8) The Jam - "Funeral Pyre"
By now punk had gone all mainstream and bands like the Jam were having regular singles in the Top 10 of the charts. This song is unusually heavy and free-form for what was a tight threesome and everyone normally remembers the drum solo closing out the song, but actually bassist Bruce Foxton was also allowed off his tight leash to twiddle and thump away. Powerpop.
The Cure were never punk. A bit low-fi pop on their debut album and soon to move into stadium Goth. But in between was their second melancholy album and this track showing a bass also driving a song, but without the bluster and pose of songs with harder edge. The sound of a higher end bass. Who'd be a bassists though? The Cure's Laurence Tolhurst went to Court to sue over lack of royalties saying he contributed ineffably to the Cure sound. He lost.
10) Dead Kennedys - "We Got a Bigger Problem Now"
Hopping back over the pond and New Wave had taken the reverse journey and morphed into punk, thrash and hardcore. Progenitors of that were San Fransisco's Dead Kennedys with Klaus Flouride on bass. Here he has a little lounge music lick to satirise the right wing's music of choice. This song was a reworking of their earlier hit "California Uber Alles" written about the right-wing Governor Jerry Brown. But with californian Ronald reagan ascending to the Whitehouse, the US did as they say, have a bigger problem than that now... The West coast can do its own rather nice line in paranoia too.
11) Minutemen - "Anchor"
But US punk wasn't all thrash. The Minutemen were a trio whose musical abilities allowed them to include folk and jazz elements to their tightly blended mix. Guitar and bass alternated duties as leading songs and the band introduced Mike Watt, bass guitarist supreme upon the world.
12) World Domination Enterprises - "Asbestos Lead Asbestos"
If lead guitars can carry you along highways or out into space, the bass nearly always roots you back into the urban city. Here World Dom with their dub reggae penchant utterly nail the grime of their West London roots. Guitars are wielded like axes or played over the heart and chest, or even teasing over their sex, but bass guitars are always low-slung, closer to the ground. And of course they have a longer fretboard, to keep other people further at arms length...
The funk is introduced to New Wave. George Clinton and other funk bands were perhaps the only other precursors of punk who might bring the bass into the foreground. Since Gang Of Four's guitar sound was so choppy and intermittent, they needed a bass sound to carry the weight of some songs and fill in the gaps.
14) Beastie Boys - "Gratitude"
Hip hop could sample any sound it wanted. Yet when the Beastie Boys went back to their live instruments and punky roots, they brought delicious distortion to their bass sound. Ramp it up! RIP Adam MCA Yauch.
15) Birthday Party - "Mutiny In Heaven"
Punk, New Wave, Goth, what did any of it mean anymore by the mid-80s? There was a flowering of indie bands each pursuing their own underground tracks. The Birthday Party from Australia were one such blossoming that couldn't really be pigeonholed. But bassist Tracy Pew with his cowboy hat and biker fashion, sadly now dead from his grand mal seizures, was always driving the band forward with their off beat drum section, sometimes one drummer, sometimes two which he had to compete with as well as compliment. A bass rumble truly to soundtrack the rhythms of Hell!
16) Gun Club - "Sexbeat"
Psychobilly (UK) or swamp blues (US) was creative another offshoot and here the bass truly lends a quality of swampy sludge even as it drives the blues throb along in its train-driving manner.
17) Jesus And Mary Chain - "Sidewalking"
Meanwhile from Scotland, a band who wanted to be the surfer punks, the Beach Boys with a lot of reverb on top. I kind of liked their schtick, but the bass was always prominent among the feedback squall of the lead. It had to be, to keep it all together.
18) Cop Shoot Cop - "Shine On Elisabeth"
Two basses no guitars, this is a no brainer. 1 hi-end bass, one low-end bass, a heavnely heavy duty throbbing racket. This is my bass nirvana I think (the Buddhist ideal highest state of non-being, not Kurt Cobain's outfit).
19) Thee Johns - "White Boy Engineer"
There was a fashion for rock bands having drum machines instead of live drummers which definitely changed the vibe. Drum machines always sounded a bit tinny and brittle, so the bassist had to inject the weight into the musical grooves to compensate.
20) White Denim - "Let's Talk About It"
And so to the present day. I don't much about this band but we seem to be still where we were with permission for the bass sometimes to grab the glory in a song. Even with a geeky looking guy on bass like this one! Thanks for listening
Labels:
Bass,
Beastie Boys,
Birthday Party,
Buzzcocks,
Cure,
Gang Of Four,
Gun Club,
Jah Wobble,
JJ Burnel,
Mike Watt,
Patricia Morrison,
Pere Ubu,
PIL,
Talking Heads,
The Jam,
The Stranglers,
Tina Weymouth,
White Denim
Thursday, 19 April 2012
My Top 25 Albums - Part 1, 25-13
Who has the patience to listen all the way through an album these days? Hell, most bands failed to sustain the standard across a whole album anyway, beyond a couple of stand out tracks, which were probably released as singles anyway.
But I have to admit, I'm still a sucker for an album. Following its flow all the way through, between great, good and filler tracks. I don't buy that many albums now, but my I-Tunes tells me I have 10.4 days worth of tracks, of which only the 0.4 are individual tracks flying free of albums.
Here is a chart in two parts of my 25 all-time top albums, with a representative track from each. I hope some of them you share a liking for and maybe others you've never heard of you may come to try out.
25) Husker Du - "Zen Arcade" 1984
All 3 band members were really accomplished musicians, all three contributed songwriting and despite the internal pressures that ultimately ripped the band apart, they came together seamlessly to produce this double album of power guitar pop with a despairing edge.
24) Dizzee Rascal - "Maths And English" 2007
What I like about this album is that it's a quintissentially English retort to US Hip-Hop. Sure Dizzee presents a similar tale of gangs, violence and laddish lairiness, but it's done in London argot, with British rhythms and lashings of cheek. Check out his duet with Lily Allen if you don't believe me.
23) South Central - "The Owl Of Minerva" 2008
I was never a raver. Never into summers of love and being spaced out dancing in a field. And yet I do really like this Nu-Rave album, and yes it does make me want to get up and dance. But not in a field, holding a glo-stick.
22) Funkadelic - "America Eats Its Young" 1972
Beam me up to the Mothership and take me to your leader George Clinton. This a music that puts you in a mood like no other style. Fabulously mad, but oh how funky! With tracks on the album like "Loose Booty" and "I Call My Baby Pussycat" rubbing up against the more politically astute "If You Don't Like The Effect, Don't Produce The Cause" this double album is just a joy to sail along to (I'd say 'drive' but I don't have a car. Nor an 8-Track to play it on).
21) Clipse - "Lord Willin" 2002
This was Clipse's debut album and though I had other of their LPs, I only came by this recently and it just blew me away. I think what I really like about it is the tight musical theme, a recurring set of beats and distorted electronic squalls. Yes the lyrical content is the usual hip hop fare of street dealing, girls and male prowess, but there is just something here musically that carries it to a higher level.
20) Gun Club - "Miami" 1982
If their debut album was a wonderful mess of swamp blues, this follow up was a lot tighter and polished. Confusingly stand out track "Fire Of Love" was actually the name of their debut album, although it's actually a cover version of a Jody Reynolds song, but the Club's version is just about the most primal rock and roll you could ever wish to hear.
19) Gang Of Four - "Entertainment" 1979
A few years ago and this would have been in my top 10. I do still love it, but years of playing it endlessly have slightly jaded my palate for it. I still think the track "Anthrax" is one of the most radical (anti-?) rock and roll songs musically and lyrically as it deconstructs the pop love song.
Andy Gill's choppy guitar style is still jaw droppingly amazing to listen to.
18) The Specials - "The Specials" 1979
Like I suggested above, every new musical movement produces one great album that knocks all the others into a cocked hat. You can keep your Madness and The Beat, for me Ska was The Specials and this wonderful debut. The range of world wearyness to pleading in a band so young was like a punch to the solar plexus. A wake-up call to us all back in the dark days of the early 1980s. But then there were also the really cheery, dancey upbeat numbers too, just so we didn't get too downhearted.
17) Spacemen 3 - "The Perfect Prescription" 1987
It was really hard to decide which of the first 2 Spacemen 3 albums I prefer, so almost perfect are they. Consummate stoner rock, paeans to other worldly states of mind and the gentle (sometimes distorted in feedback) ambient guitar rock to soundtrack such journeys. Blissful is the only word and I've never even smoked weed in my life. Listen to this record and it's succumb to the effects of secondary inhalation!
16) The Fall - "Grotesque After The Gramme" 1980
And by way of complete contrast, the snarling, state of the nation address by one Mark E Smith. In truth there are many fine Fall albums, but for me this one marks them for greatness, not least for the two singles that preceded it (both of which made John Peel's all time favourite songs) but never made it on to the original album in that perverse way of Smith's. Fear not pop pickers, I'm pretty sure both tracks are included on any current version of the album.
15) The Bug - "Pressure" 2003
Dub-Step. Atmospheric, minimalist slices of the urban cityscape rendered in sound. What I really like about The Bug, is that he fills in some of those tripped out spaces with some really heavy sounds and some of the vocals doff their backwards baseball caps in the direction of Rastafarianism's relationship to the Old Testament. The visions on this album are truly more apocalyptic than the usual dub step incoherent vocal fare.
14) Big Black - "Atomizer" 1986
Intense, relentless, blue collar post-punk Mid-West of America. Live they played their strings so hard, their fingers bled. Lyrically they only dealt with taboos. I love it.
13) Mos Def - "The Ecstatic" 2009
Don't let the heavily lisping delivery mislead you, this is rap of the highest intelligence. There isn't a duff track on this album, it's that good.
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