He reached back into his quiver and strung a fine quilled
verse into the arched bow of his lips. He released the quivering tension within
the shaft of his glossa and hurled the finely crafted heroic quatrain at his
adversary. His aim was directly targeted between the other's eyes.
The other man raised his forearm up to his own brow,
seemingly in a gesture of warding off a powerful blow. But his arm continued
its motion over his hair as if peeling off a layer to directly access his own
cranium beneath. His other hand flicked up over his mouth, then his nose and
out toward his rival and brought in its stead a cataract of iambic pentameter
projecting from his mouth like a Catherine Wheel. A furious fusillade of frenetic
phonic flow. It felled his foe, who ricocheted back into the amplifiers like a
skalded cat. But the conqueror did not refrain form his flow in order to don
the proffered victor's laurel wreath. Instead he strode over to the crumpled casualty
and brought the mic to his ear and poured a villainous villanelle of five
withering tercets and a final quatrain which perforated the wretch's eardrum.
He would have served time for assault, this man who was in a hurry, but plea
bargained in stanzas from the dock and agreed to serve in his nation's army.
There he found a bounded outlet for his innate aggression, but his unusual
aptitude for language meant that somehow his insurgent attitude towards
authority was missed by his bamboozled ranking superiors. He represented his
unit in mixed martial arts and in slam poetry contests and swept the boards in
both. Gradually he rose up the hierarchy with stars and stripes pinned to his
jacket. His rhymes softened from those jagged shards of the street, though his
brutal rhythms became utterly martial.
He was given his own troop to command. His men were utterly
loyal to him, for they knew no bullet could best him, nor any inferior superior
officer could outblast his versified attacks on them. Even Generals took his
adept poesy as a sign that he was a deep thinker. Gradually he began to strategise
for divisions of men. Working in his tent by a candle glued into a skull by
magma of melted wax, he plotted the ellipses of armies in the field like the
rhythms across the paper. And when he had cracked the required manoeuvres, he
relaxed by penning some battlefield verses to inspire his troops.
And while the prisoners of war were being rounded up, he
took a tour of the latest liberated hamlet or suburb. He composed verses as he
went. Paeans to the bilious, oily smoke plumes rising like diabolic elementals.
Rhapsodies over the trituration of brick, the warping and shredding of steel
structures. He coupleted cabling splayed and jutting from the mangled remains
like jungle tendrils. Inverted pastoralisms. Villages rendered deserts under
flame, towns metamorphosised into wastelands ("Take that Thomas Stearns
Eliot, you only wrote about a figurative one, whereas I have both brought it
about and them composed an epic treatise on it). He staked out a unique
territory of a poetics of ruin and back home his adoring public loved his metered
missives from the front.
But increasingly in his tent at night, it wasn't only
mosquitoes which pricked his skin. He began to agonise about how the harmony
and beauty of perfectly harnessed language in the form of a poem, could sit
astride such horror and destruction. And more pertinently, how the same two
forces pulling in contradictory directions could both reside within him
simultaneously. How could he be a great, gifted man shone down upon by the
creative light of the gods and muses, if he was also this terrible inhuman
monster who lay waste to everything natural and manmade he encountered? And to
then make art from it? To engender suffering and then romanticise it? His work
went so much farther than mere propagandist doggerel of military and patriotic
glorification. Rather it was the very essence of the human soul he was touching
with his words. Because his own soul was so utterly debased? That could be the
only explanation. Sowing dissonance everywhere in his wake, in order to plumb a
personal seam of assonance?
In the isolation of his tent afforded by his stature and
rank, he took his military pistol and brought it to his head seething with
rhymes. The successful warrior could not be a poet. The successful poet could
not continue to fight. As he pulled the trigger, he lost his first ever battle
in his life.
