Showing posts with label Pop Fiction. Show all posts
Showing posts with label Pop Fiction. Show all posts

Monday, 7 February 2011

Music And Literature

As well as contributing two short stories to the anthology, I wrote the introduction to Pop Fiction - Stories Inspired By Songs In it I linked musicians who had been inspired by books and certain novelists and poets who set their words to music.





I wanted to extend this and give you a top ten of songs which either quote famous lines from fiction or the titles of books. many of them come from the post-punk new wave era, both from Britain and America.

1) "Killing An Arab" - The Cure
Robert Smith allegedly penned the song while studying the book for his French O-Level. I owe a similar debt to Albert Camus as "L'Etranger" and "La Peste" delivered me into reading when I was a late starter. Dunno what Meursault would have made of Smith's make up and goth clobber mind. Actually, he probably wouldn't care would he?

2) "Heart Of Darkness" - Pere Ubu
The band took their name from Alfred Jarry's great precursor to the Theatre of the Absurd in his three Ubu plays. The song shares the title of Joseph Conrad's great work and which has inspired so much art including "Apocalypse Now" and being name checked by TS Eliot in the epigraph to "The Hollow Men". This song oozes and bleeds with paranoia and tension which is so apt.

3) "Venus In Furs" - Velvet Underground
Hardly surprising that Lou Reed might be attracted to a work written by the man who gave his name to the word 'masochism' - Leopold von Sacher-Masoch. The first video is so chaotic you can't hear the lyrics, but gives a sense of the New York Factory scene. The second video gives the song more of an airing.

4) "Bug Powder Dust" - Bomb The Bass
Tim Simenon's homage to William Burroughs and "Naked Lunch" sampling from the 'unfilmmable' film of the same name. The song is also a cut-up in its own way as it references Burroughs work while also holding an imaginary conversation/interview with him.

5) "We Live As We Dream Alone" - Gang of Four
Back to Conrad's "Heart Of Darkness" and a quote directly from it that sums up the isolation and thwarted dreams of the novel's main protagonists.

6) "Song From Under The Floorboards" - Magazine
Howard Devoto lead singer of Magazine may claim the title of most literary song lyricist. This song references Dostoevsky's "Notes From The Underground" in its stunning opening lines. In another song he namechecks Raskolnikov from "Crime And Punishment".

7) "Jack and Neal/ California Here I Come" - Tom Waits
His tribute to Kerouac's "On The Road". A book that did little for me, but then I can't drive, have no particular yen to cross my tiny island of Britain let alone the continent of America. I'll settle more for Camus' alienation, even if we don't get the sun on our heads.

8) "The Stranger" - Tuxedomoon
Another adolescent namecheck for Camus' classic, bearing out my theory that in the UK, any teenage boy who dares pick up a book to help articulate his feelings, is likely to come by one or all of "L'Etranger", "The Magus" and "Catcher In The Rye". Two of these 3 are very fine books.

9) "Death And Night And Blood (Yukio)" - The Stranglers
The Stranglers overtly acknowledge Yukio Mishima's inspiration by including him in the title. "Death and night and blood" is a quote from the semi-autobiographical "Confessions of a Mask", describing his "heart's leaning toward".

10) "Xanadu" - Rush
There's a bit of the Spinal Tap portentousness about this, but once they lyrics kick in they keep pretty close to Coleridge's "Kubla Khan" which of course itself rather infamously was penned while under the influence of narcotics, how very rock and roll - and of course that he was disturbed by a visitor and forgot the last lines as he had originally envisioned them and had to settle for a finale while no longer under the inspiration of the opiate muse.

11) Bonus Track "Lorca's Novena" - The Pogues
Not actually referencing a work, but the fate of Spanish poet Lorca who was killed by Franco's Fascists. This song underlines Shane Macgowan's own claims to be a poet of stature.

Tuesday, 2 November 2010

"Pop Fiction" - Stories Inspired By Songs


This is the wonderful cover for a new fiction anthology "Pop Fiction" which will be published just before Christmas. It's based on the original cover art photography for the Clash's album "London Calling". We are very grateful that Pennie Smith's whose wonderful work (which won "Q Magazine's" 'Greatest Rock'n'roll Photograph Of All Time award) the original was, has endorsed our project and allowed us to use her image.

The royalties for the anthology are being donated to the Blue Lamp Foundation, a charity that provides financial assistance to members of the emergency services in britain who are injured in the line of duty. For more information on this worthy cause click here.

18 stories inspired by songs; 9 by personal choices of the author and 9 by the collectively agreed upon choice of David Bowie's "Heroes".

The other selections are "Tainted Love", "Disney's Dream Debased", "White Man In Hammersmith Palais", "Where's Captain Kirk" and just so you don't think it's all post-punk, "A Day in The Life", "Physical", "Diamonds And Rust" and "I Shot The Sheriff".

My offering, of which I offer an opening sample below, was inspired by possibly the most obscure song of those selected, that by 23 Skidoo called "IY". Here's a video of it which ain't that great quality, but hopefully whets your appetite to track down a decent version.


The story was inspired by the experiences of the Beirut hostages John McCarthy and Brian Keenan, but one which I take off in a whole new direction I hope. Can i recommend anyone who hasn't read Brain Keenan's book on his time as a hostage "An Evil Cradling" to do so, as it's a fantastic read and a real insight into a consciousness forced to rely on itself while handcuffed and blindfolded.

Okay, here's the opening sample to my contribution to the anthology, from a story called "Hotel C.N.S."

Ow! Unyielding. World already in total darkness, now shrunk to two foot at the end of a chain. Ha, the length of a cubit more like. Tight against ... like ... a radiator. It’s do damn hot here, who’d ever need a radiator for godssakes! Ow! Cuffs cutting into me. My flesh interposed between metal on metal. The weak link. Have to stay perched at the correct angle. An involuntary movement and immediate barbaric retribution! No, I came here to teach these people to repair themselves. And this is how they treat me? Tethered like an animal. At least the painted metal’s cooling I suppose. Let’s see if I’ve any movement at all here. Yes, if I just slide along this pipe, got my very own exercise yard. Have to keep remembering to give myself permission to move. Private Hell reporting for duty in someone else’s war Sir!


Clearly I have been afforded a window. The region of sight. Mocking me. Least it means I’m no longer in a cellar. Still in the pockmarked ruins of the city even? If I can just ... Sun’s definition, without luminescence, so only heat and fatigue to guide me. Got it. Full on now. Bob my face minutely across the arc of its gaze ... How clean the air feels ... Up in the mountains, or down in the desert? Who can tell? Cannot see, yet I am not blind. Have to keep telling myself that. Blindfold merely gnomon on the sundial of my skin. Time marked by coruscation, serves as my flare of distress. And listen out for sounds to narrate my story for me. All one need’s contained in the distant artillery. Meeting as intended, or just recoiling? Then nothing but evaporated silence. Are my gaolers even in with me? Tied to my anchor in here, beneath the unfailing scrutiny of such a powerful daytime flashlight out there, they have no need of perpetual watchfulness.


Jesus, this damned heat! It’s like a wall of steam. Can’t even divine the sun directly on me anymore. Jiggle my head this way and that... Just so till it breaks the surface tension and the droplet leaps to freedom ... or oblivion. And still the water trapped
in the radiator watches on in impassive silence. Deus otiose. While my body performs its whirling dervish dance within the confines of a few inches. Scuse me, some mistake here, my bandana’s slipped down over my eyes! It’s not performing its function. Nowhere for the refugee beads of perspiration to go. I don’t actually believe I have any captors. Can’t see them, can’t hear them and despite living in close proximity inside a Turkish bath, I can’t even smell them. They simply don’t exist. But I know how to make them jump! Just remove my blindfold. Or look as though I might. Mop my brow and get pistol whipped to death for my pains. Technological update of a stoning. I was wrong about these people and their primitive methods. They’ve had coaching, from our side. End it all here and now. It would be quicker than drowning. And all for a bead of sweat, truly about a pound of my dissolved flesh.