The sea was a perpetual whirring roil of motion. Shoals and schools of corybantic choreography. Treasure hunts for shiny stones on the seabed, or the come hither siren tease of pearly mothers. Spawns and other pregnable culch-ures. Procreation and the anti-creation of predation, rapturous raptors going about their annihilating antics. Squid-I took my place in this tumultuous orchestration. Staking my mood from the ambiance of my surroundings. Cooling my blood to blend in with the sandy bottom, or raising my temperature to bouquet the riot of colour of the underwater flora. Else I fire my ink-jet heels to make good my escape, nebulising the senses of my would-be consumers. But then my nervous system was struck by a notion, what is it about this world that constantly makes me need to escape? Why cannot I just reside contentedly within it? Why do I have to cast small simulacra of myself to stymie my foes, when each exudation only weakens me, dilutes my being? They munch me in effigy anyway. A sudden impulse made me fire my ink when no pelagic guzzler needed blotting. I watched the chromatic mucus shape and form my feelings, but not just through the usual matching pigmentation, rather they agglomerated into words. Until they diluted and dissipated on the gentle sway of the underwater swell. I fired them again. Different words coagulated before again dispersing on the undertow. I watched the iotas of my verbiage diffuse further afield and I saw it brought discomfort and unease to the marine life who encountered it. Mildly toxic it seemed to perfectly encapsulate my temper. I used some of my appendages and appurtenances to inscribe into the sand and grit of the seabed, before inking in my words there and passing rocks over to hold the type in place beneath. No fish prey or predator dared disturb my reverie of penmanship. Amid all the pother and bustle, I had discovered the peace that lies at the heart of the ocean. The ink concentrated, the thoughts magnified, my blessings countable against each one of my tentacles, finally I had come into my own against the backdrop of the eternally teeming crowd.
“ – the dangerous words, the padlocked words, the words that do not belong to the dictionary, for if they were written there, written out and not maintained by ellipses, they would utter too fast the suffocating misery of a solitude …” Jean Genet Introduction to “Soledad Brother – The Prison Letters of George Jackson”
Tuesday, 10 May 2016
Squid Ink - Flash Fiction
The sea was a perpetual whirring roil of motion. Shoals and schools of corybantic choreography. Treasure hunts for shiny stones on the seabed, or the come hither siren tease of pearly mothers. Spawns and other pregnable culch-ures. Procreation and the anti-creation of predation, rapturous raptors going about their annihilating antics. Squid-I took my place in this tumultuous orchestration. Staking my mood from the ambiance of my surroundings. Cooling my blood to blend in with the sandy bottom, or raising my temperature to bouquet the riot of colour of the underwater flora. Else I fire my ink-jet heels to make good my escape, nebulising the senses of my would-be consumers. But then my nervous system was struck by a notion, what is it about this world that constantly makes me need to escape? Why cannot I just reside contentedly within it? Why do I have to cast small simulacra of myself to stymie my foes, when each exudation only weakens me, dilutes my being? They munch me in effigy anyway. A sudden impulse made me fire my ink when no pelagic guzzler needed blotting. I watched the chromatic mucus shape and form my feelings, but not just through the usual matching pigmentation, rather they agglomerated into words. Until they diluted and dissipated on the gentle sway of the underwater swell. I fired them again. Different words coagulated before again dispersing on the undertow. I watched the iotas of my verbiage diffuse further afield and I saw it brought discomfort and unease to the marine life who encountered it. Mildly toxic it seemed to perfectly encapsulate my temper. I used some of my appendages and appurtenances to inscribe into the sand and grit of the seabed, before inking in my words there and passing rocks over to hold the type in place beneath. No fish prey or predator dared disturb my reverie of penmanship. Amid all the pother and bustle, I had discovered the peace that lies at the heart of the ocean. The ink concentrated, the thoughts magnified, my blessings countable against each one of my tentacles, finally I had come into my own against the backdrop of the eternally teeming crowd.
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1 comment:
I like it, almost poetic. I am curious about how a squid would have the concept of words in the first place, but I like the idea that he finds power in the ability to express himself via text. Bonus points for having the chemical make-up represent his mood (at least in that one instance)
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