The
man was lying asleep on his side, his hand tucked under his face for a pillow,
when he was shaken awake. His whole bed was aquiver and he suffered that
shooting vertigo as the block mattress was shot up vertically. The tethers
bound him in place. He knew what was to follow.
The
metal probe projected horizontally towards him. Its point was dulled so that
there was no spangle reflection to blind his eyes. To help veil him from its unerring
assignment. The stylus started cutting into his skin. His wounded flesh
responded by filling in the cavities with blood, but the duct mounted beneath
the stylus squirted some sort of anti-coagulant to sluice the blood away as
soon as it tried to dock with the skin.
He
shut his eyes and gave into to the lapping swish of the chemical reagent jets.
He had endured the sensation so many times, his nerves had ceased to fire at
the trespass of the spike. It was gouging out characters on his skin, some of
which he could flick his eyes to read, others which remained beyond his
purview. Because of the irregular contours of his body, the words spelt thereon
were not arranged in sentences. He was not a flat plane like the leaves of a
book. And that seemed to be the very object.
When
the stylus had finished its calligraphic furrows, there was the customary pop
as the liquid stream was shut off and replaced by a more viscous fluid. Here it
comes, as a black ink was sprayed into the scores in his skin, until the
trenches were full to the top. The probe performed its shuffling retreat as it
was winched back. He leaned his head back against the metal block and turned to
one side. He saw the arrayed ranks of others trussed and coloured exactly the
same as him, though he could not make out the inscriptions on their flesh. A printing
block army. A typeset textual host. And then it began.
In
rapid fire, the typebars were launched forward headlong, pressing the composed
human monotypes against a giant white canvas of indeterminate fabrication. The
letters were intaglioed, incised against the blockish lumps of uninscribed
flesh to create the impression of three-dimensional lettering. Not unlike that
of graffiti taggers, though this was intended as far more of a formal imprint. For
this was the justice system’s record-keeping of its proceedings, or at least
the footnote annotations thereof. For this race it was important to have the
sentences produced with differing depths and alignments and not just
necessarily legible in a linear fashion. Their justice resonated with greater and
more intricate profundity in that way.
The
impact at rapid velocity against the canvas always knocked the human print
stamps immediately spark out. They came to when a sprinkle of water washed over
their face. An alert that the cleansing and maintenance procedures were upon
them. Now their blocks were positioned to the horizontal and they passed
through a vertical plane of some muslin like material ingrained with an astringent
that served to flush out any vestiges of ink squatting in skin recesses. A
blast of heat was quickly applied to evaporate any surface liquid and scour the
flesh prior to silky spurts of an aqueous polymer coated the degraded flesh and
quickly flowed to seal it smooth. The fusible skin would harden and set within
an hour and the human composite stick would be good to go once again the
following day to record the judgements handed down.
3 comments:
So very vivid Marc! Made my skin crawl...
Wow, this is a strange and intriguing concept, and I definitely wouldn't want to be want to be in their place either.
Sounds like something out of a really good Wachowski film. Well, if they paired up with Terry Gilliam.
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