Video Bar

Loading...

Saturday, 4 February 2012

Girls' Names Songs



1. Christine - Siouxie and the Banshees
There were two Siouxie And The Banshees, the hard-edged guitar and drums of Kenny Morris & John McKay suggestive of a mix between the Velvet Underground and Can and the poppier-Gothic version with Budgie on drums and a whole host of guitarists including the Cure's Robert Smith. This is from the latter incarnation and is one of the better songs from a patchy ouevre.


2. Mary Anne - Spacemen 3
One of my favourite bands even if they did sing about drug trips all the time. Not quite sure why this has been uploaded with a picture of marianne faithful, as the song isn't about her.


3. Alison - Elvis Costello
This came out in the middle of Elvis' punk stage and maybe signalled the softer direction his music was to take. However it does contain some of his killer lines, "like those other sticky valentines". Great stuff.


4. Delilah - Tom Jones
Um quite simply a classic. Even the football fans of Stoke City belting this out from the terraces can't harm it.


5. Geraldine - Glasvegas
Fuzz guitar pop that sounds a bit like Jesus & Marychain, must be something in the Glasgow water.


6. Polly - Nirvana
I was never a huge Nirvana fan, but maybe of all music acts during my 20 year stint working in a record store, we followed the daily gossip of this band more keenly than any other band. My boss had tickets to see them in Paris, a gig that got cancelled because of a likely suicide attempt. But no one seemed able to put all the facts together and prevent the inevitable. perhaps that simply wasn't possible.


7. Samantha - Hole
And not to be undone by her other half, Courtney Love's Hole offer this ditty. I always preferred Hole to Nirvana, but this isn't one of their better numbers. "Violet" is a hugely better song, but although Violet is a girl's name, that particular song isn't really a paean to the female of the species.


8. Josephine - Ghostface Killah
Wu Tang member Killah shows his sensitive side (sort of).


9. Deanna - Nick Cave & The Bad Seeds
How many of Cave's songs are about girls? Bad girls or girls he'd like to kill? Most one way or another I'd say. "We discuss murder and the murder act" - see, told you so!


10. Kitty - The Pogues
Slowing it right down now with Irish ballad Kitty. And a rather lovely lament it is too. Shane Macgowan actually wrote rather touching love ballads, such as Rainy Night In Soho and of course A Fairytale Of new York. Did you know Pogues bassist Cait O'Riordan married Elvis Costello. For a while anyway.


Special Bonus Track
11. Julie's Been Working For The Drug Squad - The Clash
There's something modern music hall about this song, but I love its knockabout flippancy.

Thursday, 2 February 2012

Give Me Your Hand - Friday Flash

People keep passing me with broad beaming smiles and telling me how happy I look. I can't see the smile I flash back in response, but I know the flesh at the corner of my mouth, where the dark hue of the lips gives way to the lighter pigment of the face, crinkles desiccatedly. I have no handbag, so I have neither moisturiser nor salve to hand. I need a drink. But it's champagne only for my wedding reception and I don't think that's going to rehydrate me somehow. Besides I have a sweetly-sick taste coating the membranes at the back of my throat.

And now spun on to the dancefloor. Again those gleaming smiles detonate around us like paparazzi flashbulbs. My husband of ninety minutes takes my hand. We pause frozen in motion, like the two figures atop our tiered wedding cake. Waiting for the band to strike up. The miniatures cresting the cake await the sharp knife. For the spongy ground to be cut away from under them. Of course they don't, they're made from marzipan and have no thoughts at all.

In the stasis he clasps both his hands loosely round the nape of my neck. My lone island of exposed flesh adrift from the copious swell of fabric of the backless dress. (Actually it's not the lone flesh promontory, but he could hardly cup my cleavage in front of so many eyes). I had been rash in discarding my veil, for its train had at least filigreed my nape when pushed back from occluding my face. Another, gossamer membrane. My husband has strangler's hands. Big, clubby appendages that can entirely cincture my neck. Those bulbous fingers impressing their livid rage on my quivering, rasping flesh. The band hit the first chord.

I am whirled through a succession of sheepishly lupine grinning dance partners, as if I am a lot at a benign slave market. Naturally, none dare to embrace my neck. Settling instead for just above my waist with one paw, and either my shoulder, or hand linked in hand outstretched before us like the prow of a ship. Or an antenna. I scan each consort's clasp of me. For some reason I'm reminded of Ingrés' sketches of hands. But none of the mercantiles here possess artistic mitts. None of them are exactly callused either. No horny handed sons of toil in this gathering.

My father-in-law of one hundred and forty minutes cuts in for the next dance. His grip is encased in leather gloves. To conceal or cushion fingers curled by arthritis. Our dance too is emotionally stiff and painful. His leather cracks with each motion as we alter our bearing on the dancefloor. I hear this above the din of the music since his hand cups where my clavicle meets the shoulder close to my ear. Or do I only conceive that I can hear it, because its menacing appearance strikes a resonance that plucks at me like a harp string? I scrutinise the wrinkles in the animal hide and imagine the cracks in the human flesh they house beneath. I wonder if they mirror one another. Like the impression of a death mask. I know arthritis to be a degenerative disease.

My husband of one hundred and fifty minutes has the hands of a strangler. But for how long I wonder?

Tuesday, 31 January 2012

Since My Man's Gone - Chanteuses

Pop music. Girl meets boy. Falls in love. It doesn't work out. He hawks his heart elsewhere, (maybe to the devil if he's Robert Johnson). Girl left broken-hearted. Feels the need to tell someone. In song. If these chanteuses don't make you rip your own heart out in solidarity, then you have no heart!

1) Nina Simone - My Man's Gone Now
I first came across the song in a wonderfully campy OTT version sung by Jeffrey Lee Pierce and The Gun Club. I love that version, but then I heard Nina's. It was no longer a campy song anymore, let's put it that way...


2. B52s - Give Me Back My Man
The B52s, vampy beehive beach party band, when could they ever be associated with pain and heartbreak? And yet Cindy Wilson's voice all sugary sweet Stepford Wife flutters and cracks with an undertow of despair until she belts out the title line in the chorus, with a voice of broken glass.



3. Julie London - Cry Me a River
If she is to take her man back, he has to demonstrate to her that he's cried the same floods of tears over her, as she did for him. Her rich voice subtly wavers between the confident and the cracked. Breathy with both sensuality and faltering belief. This song is slow enough for Julie to take her time carefully modulating her delivery of each word. As much as I love punk and all things after, it's freneticism scarce allows for such vocal detail.


4. Poison Girls - Done It All Before
Talking of punk, this is one of those rare slow ones. Is there a more world weary female vocalist than Vi Subversa? "She's done it all before, but not with you". Ouchy!


5. Dionne Warwick - Walk On By
Another female classic I first encountered as a punk cover version courtesy of The Stranglers. But after a confident intro, Dionne's voice hovers on the edge of tremulous without ever surrendering to it. She's keeping it together, but receding ever so slightly in the mix, like she's choking everything back down, tears and words. When she speeds up the delivery at the end, it's like she's girding herself and challenging him at the same time. Delicious.


6. Janis Joplin - Piece Of My Heart
From the bottom of the bottle. Drained to the last drop and then refilled with real tears.


7. Billie Holiday - All Of Me
Talking of being 'in pieces' Billie laments like no other vocalist. the phrasing and everything are just heart-rending.


8. PJ Harvey - Rid Of Me
Such a mighty voice dripping ardour from such a tiny frame.


I challenge you play all 8 tracks uninterrupted and not remain without a tear in your eye and a little ache in your solar plexus.

Monday, 16 January 2012

Physics question


I have only a layman's comprehension of physics. Despite that I'm boldly plunging into a new piece of writing about physics and have started to read around the subject as background. Naturally I'm stumped by the material, but there's one thing that really bugs me in my ignorance and I'd be very grateful if anyone could unravel my confusion for me. But only with recourse to words please! Any mathematical proofs will be completely over my head. Besides, equations and novels don't often make comfortable bedfellows.

Einstein's thought experiments that led to his two theories of relativity, were posited around the speed of light. The 'fixed', unvarying vantage of an observer was shown to be false at speeds approaching the speed of light. If an observer was actually travelling along a beam at light at its speed of 186,000 mps, then all sorts of strange things happen to space and time within his/her observations at that speed.

But my question is, if the observer is travelling at the speed of light, so that everything becomes the present, with no discernible past, then what happens to the light itself? If there is only the present, then is the light actually moving? Would the light not just be present everywhere simultaneously? And yet we know that light is an energy source, it originates from some star burning fuel somewhere and that the energy moves through space and time. If the observer is travelling on the light beam, then relative to him/her the light isn't moving at all?

If anyone can help sort out this muddle in my mind I'd be terribly grateful and you'd get an acknowledgement in the novel too!

Thanks in anticipation


Friday, 6 January 2012

How Schoolboy Physics Improbably Came To Lie Behind My Work In Progress


I hated Physics at school. Even though I loved Chemistry.

Partly because the Physics teachers weren't cool, in their creased corduroys and pipe tobacco scarcely concealing their body odour. Chemistry teachers seemed normal even ranging to cool. One of them played a high level of semi-professional cricket.

Then there were the classroom-labs themselves. In Chemistry your head could sink to the surface of the bench where your eyes would rest on the exciting potential contained within the bottles of acids and alkalis ranged there. In Physics, what did you have as an equivalent? Gas taps for bunsen burners, which was odd since I don't remember ever doing an experiment involving heat in Physics. Oh yeah, there was Boyle's Law I think...

So probably it came down to the fact that I understood Chemistry, whereas Physics I couldn't make head nor tail of. I could never get to grips with solenoids and circuits because I had no idea what electricity or magnetism actually were. Where they came from. And I could never get past that incomprehension of first terms. The only part of Physics I understood was radioactivity and let's face it, that's chemistry anyway!

I was obviously aheaded down the path of Arts curricula rather than Sciences, but was advised by sciency older cousins to continue with Physics to exam level rather than Biology. I was happy to duck out of Biology before I had to take up a dissecting scalpel, so I took their advice.

But then I had to confront the same conundrum as before. A complete dearth of understanding of the subject. I was advised by the same cousins that both curriculum and exam exactly mirrored the very good textbook, Abbott's Ordinary Level Physics 4th Edition. They counselled me, all I would have to do is learn the textbook from cover to cover (except the radioactivity section, cos I understood that).

And so I did. Like times tables and Latin suffixes, I learned every page by rote. Still didn't understand a single blasted word, but I could regurgitate it in an exam. I achieved a bang middle of the road unspectacular Grade B and took my path down the Arts subjects English & History and promptly forgot every bit of Physics I had committed to surface memory. They wouldn't let me do Chemistry without either Physics or Maths, so my third A-Level was the lamentable pseudo-science that is Economics which I hated then and now looking at Governments and Bankers, doubt that it is any kind of credible academic discipline whatsoever.

After University, somewhere along the line I started reading the odd bit of popular Science. I really can't remember how I developed an interest, but it could just have been down to Stephen Hawking, whose book "A Brief History Of Time" was a real best seller that adorned bookshelves probably unopened up and down the land. I stumbled my way through it and gleaned very little understanding. But I continued plodding along with Richard Dawkins and Steven J Gould, about 2 or 3 titles a year max.

I had a trans-Atlantic flight and decided to give "A Brief History Of Time" another go for its duration. This time I grasped most of it, until the String Theory stuff right at the end which made my head feel like it was full of spaghetti.



From that point on, Physics held less fears, though I couldn't claim to understand all of it . But Stephen Hawking had cured me of my antipathy towards Physics through his wonderful writing. Complicated thoughts expressed with crystal precision and unafraid to offer a metaphor to aid understanding. Quantum Mechanics and sub-atomic particles seemed to offer me as a writer some wonderful metaphors I could employ in my writing and gradually this has all coagulated into the idea for my current work in progress. Based around the notion thrown up by Quantum Physics, that the observer influences what he/she observes, whereby my main character is involved in surveillance for his job.

And the weird thing that emerges from this new project? I bought a copy of my old school textbook, Abbott's 4th Edition and I will be reading it for research. I wonder how much will come back to me and how much I may understand this time round.

Monday, 26 December 2011

Parthenogenesis - FridayFlash

In certain Latin countries, fathers take their sons to visit a prostitute to confirm the age of majority upon them. Probably a smut too far as far as British sensibilities are concerned, but I can render you the next best ministration. So, given what’s good for the gander is good for the gosling, this is what I’d consider doing for you. When you’re a bit older of course. I’m wagering you’ll like this and that you’ll concede your old man does boast some worthwhile merit after all. Bearing in mind you’re currently such a fan of wrestling, we'll move you on to a different form of burlesque. I can hardly contain the secret, but in time it will be all the more special.

*

My Best Man had procured an exotic stripper for my stag night. A self-impaler, a woman who inserted all sorts of found objects into her fundament. I think one can venture the kind of objects that are around, when men congregate in a boozing establishment such as our rugby club bar. Bottles, matchboxes, packets of pork scratchings, ketchup and pickle sachets, beer mats, pool balls, cue chalks, a cribbage board (sans spilikin pegs), a neglected shots glass (occasioning an impromptu heated discussion between us over its state of hygiene), ice cubes (which failed to rematerialise), ice tongs and the ubiquitous cigars beloved of lubricious American presidents.


All manner of aides de pleasure that help us rub along in the drinking environment were douched. With the steam arising consequently from us. Only to re-emerge and avidly get passed around and inhaled at. Or licked. The re-entry was truly tantalising and had us all teetering on tenterhooks. This was us at base camp, tracking our sherpas and pathfinders as they disappear into crevasses and over the edge. Dangling out of sight on their swinging lifelines, only to reappear triumphantly and intact at the summit, unfurling the glistening ensign of survival. Of conquest. Of colonisation.


And though many of our party at the conclusion of the act, wheedled and importuned with their tip notes to try and be granted exclusive mining rights, all of them were rebuffed with a winning smile and simultaneous fierce nostril flare. Sort of akin to her ability to swivel either breast in contrary directions, as analogued by the whipping nipple tassels. This woman had coaxed all our tongues to loll out along the ground and then proceeded to catwalk up and down their length with her stilettos.


Male hopes and fantasies so spiked, yet she remained a topic of fantastical reconstruction among us long after my wedding (effectively meaning that I had to start from the pit lane once I returned home from the honeymoon). The fabulous configurations we composed for the contents of her act, had us debating long through the night. All around us lay cues, humble mnemonics, quotidian bar optics. Yet we could barely bring ourselves to believe in the truth of these objects, in the veracity of their testimony, now outlined in the dim light truncating their solid depth. I know I haven’t played pool at the club since that evening.


And then a chance for verification. For polishing up the dreamy vision into super-sharp clarity. To wipe clear the smearing that our blurred reminiscences had conferred. Fly-Half fly boy Matty had come by a public appearance from her at a pub, in which she had a residency. Matty, like me, wanted the chance for a double take. To rectify the refraction, of eyes made watery, for pile-driving through their own aqueous humours in the press to sprawl out at the end of their stalks. I wasn’t the only one of our squad Matty asked along, but I was the only one to take up his offer. Presumably the lone musketeer not to run it up the flagpole with the wife. To my mind it can’t possibly be deemed unfaithfulness if I don’t actually do anything transgressive? Same thing Amsterdam’s Red Light district, can hardly avoid having a gander, but you still don’t have to drop off any Euros down there. Look but don’t touch should be the presiding guideline. Twice does not make a propensity. Yes the figment becomes a stitch more solidified, touched up with some detailed brushstrokes. Fixed and set more in the mind, but not to any lasting consequence. On closer inspection, she was not to persist in my faculty, as a succubus draining fealty. She would not come to represent an aide de memoire to anything beyond the marital pale. This was to be no more than scratching an itch. Lancing a boil. Laying to rest of an apparition. A one time only show. A penicillin thunderclap of reality.


And you know what? I was correct in my supposition. Upheld in my belief that it closed the book, or the sesame in this case. There were to be no local objects de pub taking up residency during her residency. For seemed she had built up a loyal and devoted following. Each invited to bring along sundry items from their familial homes for her to suction. Every patron opened up their secret hearth to offer her up a gift. An oblation. A fetish to their intimately untouched inamorata. A little desirous piece of each. How they envisioned themselves. The nub into which they abbreviated themselves.


Accordingly she encapsulated their physical beings. Enshrouded their puissance, then rebirthed it. She anointed their motifs. More lingam than eucharist. She had them eating out of the palm of her hand. Or rather she ate up what they delivered up off their palms and then handed it back to them consecrated. I imagined them at home. Ransacking their knickknacks in search of something with the right dimensions. Or conducting a forensic search for the same. Nothing too asperous nor whetted, since these are reverential votaries. I pondered on their precise choice of object. What made them plump for the snow globe, the poker chips, the bottle with miniature ship inside, the spectacles case, the referee’s whistle (no notes emitted), the nutcrackers (irony intended? - didn’t seem that sort of crowd). Enthralled and in thrall.


What would my object of choice have been?

Thursday, 1 December 2011

Rebarbative Me - Friday Flash

I have spent a tender lifetime trying to efface myself. To purge the bovine features of my father that have conferred their genetic tyranny upon me. I may bear his loathsome visage, but none of the violence that leaches from his pores and creases every time the skin blazons his disgust.

Yet that same genetic despotism ensured I could no longer continue to shrink my presence from him, once I no longer folded into the nooks and niches under tables and in cupboards. The serpentine lash of his strop unerringly bit the small of my back and rump. Places where I could never apprise myself of the lacerating damage wrought there. Physical pain wasn't visual. Psychic pain was ineffably so. Triggered at the mere sight of him. At the vision of a slightly grizzled version of myself.

To compensate, as soon as I was able, I started to grow a beard. Praying that the bristles would be tensile enough to bury my flesh from sight (having had no modelling from my father who religiously shaved everyday, whetting his razors on the dread strop. And for those hairs adhering to me after a beating, like tiny porcupine quills to prolong the scourging).

My solitary daily ritual, far removed from any ablutions, was to raise my hand to my fluff and gauge its overnight growth. For I could not bring myself to consult a mirror. Partly for fear of the hair betraying me with its feebleness, but also because I might have to engage with my eyes. And see the defeat indelibly etched there. The melding of his sadism with my masochism, I must be heaping it all upon myself right?

But the follicles proved fecund and strong. In time they occluded both me and presumably my father from my features. He of course fulminated against the beard, but he had grown sick and weak, while my transformation only seemed to embolden me. I left home for a place without mirrors. Mirrors mirror only isolation. That and duality.

I was out of his immediate clutches, but I could build no kind of life for myself. I could never look people in the face. I could scarce lift my chin from my sternum. As if the skin there was made of velcro.

However today I have made the decision for the beard to come off. To celebrate news of my father's death and my possible rebirth. I went out and purchased a small round mirror that pivoted on a stand. It resembled a squashed globe.

I laboriously cut the hair with scissors until it lent itself to razor shearing. I was thrown when my face was completely eclipsed beneath a snowdrift of shaving foam. I stared at such wonderful inchoateness for ages, until the chemicals in the cream started stinging my flesh beneath.

I started ploughing, barely able to fix my face in the tilted concavity of the mirror. The white layer stained red in places. Yet more effacement.

But gradually, the alluvium bristles were swept away and the contours of my cheeks emerged. I peered hard at the tiny mirror, barely able to frame me as I leaned right into its purlieu. With difficulty, I looked into the doppelganger's sightless eyes. It wasn't my father, but then nor was it anyone I knew either.

Does the butterfly that metamorphoses from the imago of the grub have any connection to it other than what lies within its genes?